Heavy Pod Is Heavy Cast! Title doesn't matter because blogs don't matter! Apparently. Other than that, we have the obligatory Threatin conversation, then discuss some new #content like Archspire, Born of Osiris, Sarah Longfield, Aenimus, Postwax, Slipknot and Soen. Then we do cool people on Cam, Call of Cthulhu (the game), Homecoming, Total Warhammer 2 Vampire Coast, and Peter Watts's The Freeze-Frame Revolution. Enjoy!
It's reassuring to know that a slew of fans of extreme music takes as much comfort in discord and dissonance as I. Call it a devolution of taste if you will, but the more terrifying and unnatural the sounds com... Read More...
We're back! Sorry. Not much going on, anyway. First, Matt Harvey of Exhumed's dumb statement about Nazis and Toilet ov Hell's great response. Oli from Archspire wanting to fight Tim Lambesis of As I Lay Dying. Indie labels creating their own streaming services. The unfortunate news that Todd Honeycutt, the bassist for Enfold Darkness has committed suicide. Then, new stuff from Mastodon, Shokran, Soften the Glare (featuring Ryan Martinie from Mudvayne), Taylor Swift, Unleash the Archers, and Archspire. Also, Messengers by August Burns Red is 10! We also discuss me going back to Slipknot's latest and thinking it's not bad. Enjoy!
We're at a point where a hot shit, flavour of the month band can become old hat moments after they are touted as the next big thing. It's so easy to lose track of who's who, what's hot and not and generally what the hell is happening in music and it's always gonna be impossible to hear everything good out there. That's where Heavy Blog, and others like us, come in. We have our core features focusing on specific genres—what's up Grind My Gears fans?!—but today I'm lumping together bands who's only similarity is their shared suffix. They're all "core" in some form or another. To make things more digestible, I've even added a strapline for each, covering their sound in one fantastically humorous sentence. Please, enjoy and rock responsibly.
In China, there is a myth that carp swimming upstream try valiantly to swim up a waterfall, a clearly impossible task. Yet, they persist and persevere, straining every muscle as they strive to reach the top, and sure enough, a rare few are able to get there. It is said that any carp which successfully makes the climb is then rewarded for their determination with transformation into a mighty dragon. After swimming upstream for a decade, Stone Sour announced themselves a dragon of rock with their last two LPs, House of Gold and Bones (HoGaB) Parts 1 & 2 respectively. The masterful double album was the epitome of progressive hard rock in the modern era, infused with a thrilling concept, reoccurring musical and lyrical motifs, seamless transitions and excellent riffs. Taylor’s vocals moved effortlessly between unbridled aggression and morose beauty. The songwriting was inspired, each song standing proudly on its own two feet, yet even better when placed alongside its brethren. It was a rare release to draw inspiration from the giants of the 70’s and, when all was said and done, comfortably stand shoulder-to-shoulder beside them. Thus one could be forgiven for feeling optimistic about where Stone Sour went next. Unfortunately, Jim Root’s acrimonious departure in mid-2014 led to doubts over their future sound and direction, doubts which a pair of cover EPs did little to dispel. And so here we are in 2017, four years on from the magic that was HoGaB. Stone Sour is back, with Christian Martucci (Black President, ex-Chelsea Smiles) having replaced Root on guitar. The question though, is can they live up to the hype?