Jacob Bannon’s ostensible “solo project” Wear Your Wounds has come a long way in a short time. Since the project’s first release, 2017’s WYW, vocalist, bandleader and principal songwriter Jacob Bannon has adde... Read More...
PREMIERE: Experimental Mathgrind Project The Sound That Ends Creation Gets Fucky With New Single “Fucky The Drunk Clown Only Comes Around During A Full Moon”
One of my most dearly missed niche phase of extreme music was that "weird" phase of mathcore that brought us stuff like The Red Chord, Tony Danza Tapdance Extravaganza, Silent Circus era BTBAM, and the like? Wonky breakdowns, noodly guitar tech, and brutality that flirted with death metal and grindcore was the sound of a certain kind of person's MySpace playlist circa 2005.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Last week, Invisible Oranges made a very good case for the death of deathcore citing the absolute disasters that Suicide Silence and Emmure put out this year, the diminishing commercial success of the genre, and the disappointing follow-ups of some of the genre’s most promising acts. To be clear, there is no defending Suicide Silence and Emmure, but there is more to deathcore’s story to be told in 2017 and beyond.
One of the most enjoyable trends we as a community have seen over the past few years is the gradual increase in bands and artists that are unafraid to diversify their sound from the outset. There are certainly arguments to be made for sonic consistency, but a band implementing a variety of influences and sounds over a metal skeleton is generally seen as a noble endeavor; a band challenging themselves musically and consequently elevating their sound is, at least on paper, a clear win-win situation for them. But for that to translate into music that is just as entertaining and enjoyable from the average listener's perspective? That requires a bit more; a narrow balance needs to be struck between monotonous consistency and wildly unfocused eclecticism.