Two years out from Clairvoyant, The Contortionist offer an update on their musical journey with the scant but worthwhile Our Bones. Four tracks (three originals and a cover) that provides some insight on the continued expansion of the band's sound. Fans of Clairvoyant will be satisfied with the moves made on Our Bones, with the only complaint being that there just isn't enough new music to go around.
Robin Staps and Paul Seidel of post-metal band The Ocean give us a rundown of what has dominated their listening habits of 2018. Their lists represent the true meld of genres that The Ocean is, moving from heavy, doom-y stuff like Ancestors (one of my all time favorite bands) through obscure (to us) electronics and dreamy sojourns in foreign lands to heavy, abrasive, downright nihilistic at times, experimentations in music.
Few bands in the modern prog scene are as controversial as The Contortionist. Despite their growing success, the ongoing transition in sound from trailblazers of progressive deathcore to settling into a niche of post-rock and prog influenced alt metal has proven to be divisive among their otherwise dedicated fanbase. Although there were clear and deliberate steps away from deathcore between their celebrated debut Exoplanet and its well-received follow-up Intrinsic, the true turning point for The Contortionist came in 2014's Language, and it's no wonder given the lineup overhaul that occurred at that time. Vocalist and keyboard player Jonathan Carpenter and bassist Chris Tilley amicably left following the Intrinsic touring cycle for personal reasons, with the band picking up Last Chance To Reason's Michael Lessard (vocals), ex-Scale The Summit's Jordan Eberhardt (bass), and keyboardist Eric Guenther. With the band now half-consisting of new members and a trajectory towards prog already heavily hinted at, it's no wonder that Language wound up being such a departure.