68 – Cynical And Technical

Eden has abandoned us yet again, so, statistically speaking, we'll probably have Ahmed or Nick with us this week. I guess you'll have to guess whom'st'd've!? We talk about some news/drama, new releases, and mainstream-metal interactions. Namely Dallas Toler-Wade leaving Nile and getting replaced with Brian of Enthean. Then Cynic drama following the recent release of their demo tapes. Then some new music. Galactic Empire (and Anchorhead), Dodecahedron, Artificial Brain, Body Count, Linkin Park, Reaping Asmodeia, Ogarya, John Frum, Born of Osiris. Of course we talk about the dude singing Necrophagist at Canadian Voice. And the Grammys, namely Megadeth and Metallica. Post-recording note: New Nile lineup is awesome. I'm stoked now. That fist bump was amazing.

65 – Time II Stop Jari

A week full of fun times! We talk about Wintersun shenanigans yet again, Tidal shenanigans, Bandcamp successes, then we talk about new music or content from a bunch of artists. Opeth, Leprous with Ihsahn, Psykup, Betraying the Martyrs, Born of Osiris, Dodecahedron, Disperse, Virvum, Six Feet Under, Arch Enemy, Quasarborn, Oni, Mayhem, Sunless, Pallbearer, Adam Young, and Mastodon. We also talk about this list of power metal in 2016, some cool people stuff. Also, take a look at this gofundme of a victim of crowdkilling (gfm link here) at a Code Orange show, and check out me and Eden's new role-playing podcast!

63 – How Is This Train Still Going?

Do you like deathcore? My condolences. Oh, I'm just kidding. There are some good bands in the genre. On an unrelated note (truly), there's a new Within the Ruins song and a playthrough as well. Also, Born of Osiris are redoing their debut plus a new song, and the new Aversions Crown is great. We also discovered some more Season of Mist stuff, namely Replacire. Nergal of Behemoth's new project Me And That Man is, well, interesting. Then we get incensed about people getting incensed about bands applying new funding and marketing models. Then we discuss why vocals are the main off-putting thing for a lot of people, and on that note, how avant-garde bands aren't really that avant-garde. Enjoy!

Endless Sacrifice – Suffering, Metal, and Identity Politics, Part 2

Welcome back to Endless Sacrifice, our ongoing look at the role which the ideal of suffering plays within metal. Our opening article focused on content analysis, taking a look at the ideal of suffering as it comes across from the content which metal is concerned with. Lyrics provided a fertile ground for exploration because they are the standard which music raises in order to convey its meaning (although we saw that a grain of salt is indeed needed when considering them). Today we discuss the instrumental side of things. Approaching this topic was not the easiest thing to do at first; after all, how does one relate strictly musical content to the concept of suffering within metal? Where to even begin, when what one gleans from a certain musical moment is nowhere near objective? What this apparent divide necessitates instead is a re-framing of the question itself.

Shokran – Exodus

There comes a point in each genre when it reaches a point. The point where it seems like the genre is just done. That one album releases which encapsulates everything the genre tried to achieve, and then takes it a step further. Sometimes this is the birth of a new genre, but sometimes it's simply one excellent album. Shokran's debut full length Supreme Truth was not that album for progressive deathcore. It was a great album, one of the best in the genre. Combining elements from Within the Ruins and Born Of Osiris's sound, Middle Eastern influences and a more grandiose sound; it was a strong play from a band looking to put themselves on the map. Two years, a guitarist departure and a vocalist change later, we have Exodus. Does this album qualify for that description? Maybe it does.