Mylingar – Döda Själar

Sweden’s Mylingar make legitimately terrifying music. If the most debilitating nightmares of your most dread-filled childhood nights took physical form, Mylingar would be their voice, retching decay and misery directly into your brain. Theirs is a sound that provide no protection from the horrors slinking broken and hungry through the…

Share
  • spread the world
1236 views

Death’s Door // June 2019

Welcome to Death’s Door, Hellions. Pop a squat on a bone throne and get comfy. There’s plenty of premium content to be had in the world of death metal, and Scott and I are here to deliver unto thee the goods. I’ve been doing quite a bit of complaining about…

Share
  • spread the world
1605 views

Abyssal – A Beacon in the Husk

I’m a sucker for the kind of discordant, dissonant, technically adventurous death metal that leaves you simultaneously baffled and awed. Think Portal and their utterly unhinged songwriting, Ulcerate and their fire and blood approach to technical death metal, and Mitochondrion’s relentless, blisteringly paced barrage of audio brutality. It’s a sound…

Share
  • spread the world
1952 views

Ceremony of Silence – Oútis

The murky and amorphous style of extreme metal that has taken root in the wake of acts like Gorguts, Portal, and Deathspell Omega has seemingly become the predominate driving creative force in the underground extreme metal zeitgeist in recent years. The emphasis on weird, Lovecraftian atmospheres has infected both black and death metal, with acts like Imperial Triumphant, Artificial Brain, Pyrrhon, and Dodecahedron, to name a few, land on year-end lists with wonky, dissonant riffs, and a flair for the experimental. The trouble at this point is that when working within such an esoteric sound, it becomes difficult to carve out a niche and break out from the pack. Up and coming bands, take note: murk chords and blastbeats aren’t cutting it anymore.

Share
  • spread the world
2625 views

Convulsing – Grievous

Death metal, on the whole, is a fairly hateful genre of music. So much so that I often wonder why I enjoy it as thoroughly as I do. Its sonic textures, lyrical themes, and visual aesthetic are frequently driven toward the excessively violent, emotionally morbid, and the downright macabre. None…

Death’s Door – July 2018

Hello my Hellions, and welcome to Death’s Door. Don’t even bother wiping your feet on the mat this time around. The blood runneth over. What an absolutely insane summer it’s been for death metal. So great that we’ve had to eliminate a multitude of records from our monthly list because…

Hadal Maw – Charlatan

Hadal Maw have been one of the most promising acts to emerge from the tech death underground in recent years. They’re also one of the most frustrating. The Melbourne outfit seem forever poised upon the precipice of greatness. However, now two-and-a-half albums into their career, it’s starting to seem like…

Hey! Listen to Anachronism!

2018 has been the year that progressive, technical death metal reigned supreme; with outstanding releases from Rivers of Nihil, Alkaloid, Augury, Slugdge, Obscura and countless others dominating the year’s musical landscape. The best and most talked about of these releases have come from more-established acts and well known acts. Yet, progressive…