Dysrhythmia – Terminal Threshold

The best part about bands with a completely unique identity is the way they not only differentiate themselves from other groups, but from their own sound with each subsequent release. This trait applies directly to Dysrhythmia and the vast field of other projects involving Kevin Hufnagel (Gorguts, Vaura) and Colin…

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Xoth – Interdimensional Invocations

As a band, Xoth represent a specific challenge to review: it feels impossible to concoct the right combination of words that both accurately describes the band and makes them sound as appealing as I’d like. Metal runs into this problem more often than other genres, I think. As sounds become…

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Hey! Listen to The Ritual Aura!

Even the best tech-death has a tendency to become pretty overwhelming. As bands increasingly add more notes and elements to their repertoire, in an attempt to push the bounds of extremity and technicality, the central textures of their compositions often becomes obscured. The genre works best when bands strike the…

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Hey! Listen to Catalyst!

Progressive and technical death metal has been having a real moment over the last couple of years. As with everything, however, there is a dark side to the genre’s current boom. With so many fantastic progressive death metal albums flooding the market, listeners run the risk of becoming disaffected by…

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Fleshgod Apocalypse – Veleno

10 years after the release of their debut album, symphonic death metallers Fleshgod Apocalypse are back with Veleno, their fifth full-length. The veterans have done a lot in that time, from the technical death metal of Oracles and Mafia, to the over-the-top insanity of Agony, and most recently to the…

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Psycroptic – As The Kingdom Drowns

Our most recent encounter with Tasmanian tech death band Psycroptic saw the four-piece shift gears for the second time in their career. Where the band’s preceding releases demonstrated a groove-focused style of death metal, 2015’s self-titled release pivoted towards a more overtly thrash-influenced look — and further away still from the maniacal…

Death’s Door – September 2018

Given the nature of these columns, it might seem counterintuitive to include a subpar album among our selections for the month. That’s why I’ve accosted this intro spot to say my piece about Deicide, and specifically their latest album Overtures of Blasphemy. Coincidentally, the same month these Floridian antitheists released their 12th…