Whether they're shooting multiple venues in a night, or meticulously crafting live show reviews; our photographers can be very busy at times. Because of this, we've collectively decided to break up our photo content into two different kinds. Posts titled PHOTOS will feature an in-depth review of a show, providing a personal insight into all the subtle nuances of a show along with a small selection of images to accompany the photographer's thoughts. Whereas posts titled GALLERY will convey the energy and events of a show through a visual narrative, featuring collections of images that speak for themselves without the help of an accompanying write-up. Without further adieu, here is our first Gallery post of the final two shows from Trap Them, with Call of the Void, by resident NY photographer, Mark Valentino!
The story of metal is not linear. We didn’t arrive at the mayhem lurking in our Spotify playlists through a measured progression of technique, style, and genre. Rather, the evolution came in leaps and bounds, with dead ends and bursts of growth and pockets of innovation. To continue the evolutionary metaphor: the Cambrian Explosion of metal shot off in the mid 1980’s, as subgenres and geniuses and success combined into a specimen closely resembling much of modern metal. But the growth, although frantic, wasn’t instantaneous; rather, it seemed to expand exponentially from a single source, a catalyst in a chain reaction. That incipient band, the patient zero of metal as we know it today, is Iron Maiden. More precisely, the stratospheric success of The Number of the Beast, with it’s intricate compositions, transgressive lyrics, and trailblazing progressivity, diverged metal from hard rock completely and legitimized metal as a commercial viability, heralding the eruption of metal in the years to follow.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
For Fans Of is a column that takes one very well-known and popular band that our writers and readers are fans of, and then our staff write about a small group of lesser-known bands that do similar things and who we think you all might like as well and give a listen to. Whenever we discuss the topic of discussion for our next For Fans Of segment, one of the first things we consider is what genres we haven't picked veteran bands from yet. FFO: Emperor came about due to the desire to cover black metal, and this time around, the colossal riffs of doom metal became the theme of the nominating process. And while there's no shortage of bands deserving of the inaugural doom FFO, there's really no contesting our final selection of stoner-doom legends Sleep, one of the pinnacles of the genre with an amount of influence approaching that of Black Sabbath. From the the heavy stoner imagery to the even heavier riffs to the band's demise creating to equally incredible bands (High on Fire and Om), there really is no way to understate just how important these Cali potheads were for the genre and metal as whole. As we all wait for the recently reunited band to (hopefully) release a new full-length, check out some of the newer doom bands that have capably carried the pot leaf flag into new and exciting territory.
March 5th, 2016, it seemed to be very cold and bleak inside Brooklyn’s own Saint Vitus Bar for the majority of the day. Opening the show was Vattnet Viskar, who have just been touring nonstop since the release ... Read More...