Amorphis has had an eclectic career, to say the least. The Finish melodeath pioneers have been responsible for some of the most memorable and the most forgettable melodic death metal the genre has to offer. While modern times may have seen them become overshadowed by their countrymen in Insomnium and Children of Bodom, yet few have traversed a stylistic spectrum as wide as Amorphis. The near three-decades since their inception has seen the band go through significant line-up changes, all while incorporating sizable aspects of folk, progressive, doom and even power metal into their ever-evolving sound. Now with thirteen studio records under their belt, finding an entry point into their oft-overlooked yet not inconsiderable career can be a daunting task. So, in celebration of the release of their new record Queen of Time, here's a look at 8 of the most definitive and rewarding moments of their career.
Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.
Earlier in the week Eden introduced us to fun-loving Canadian weirdos Bird Problems, and I couldn’t help but think that Australia must have something of the sort. Enter Triple Kill, relative newcomers to the heavy metal scene in Melbourne. The quintet play straight up heavy metal, with drummer Connor O'Keane listing some of their key influences as "Iron Maiden, Blind Guardian, Lamb of God and Pantera". Add to this mixture of power metal and groove some distinct characteristics from both thrash and melodic death metal and you have yourself Triple Kill's core sound. However, things don’t just stop at the music. Triple Kill have quickly made a name for themselves for producing some fantastic, hilarious videos. But hey, don’t take my word for it, check out the band's introductory video below:
In the 2000s, metal went through a strange phase. Scandinavian high octane melodeath bands found a shared passion for melody, hooks, and flashy guitar work with power metal bands as well new lyrical inspiration from folklore. Overnight, it seems metal spawned a whole scene with a new pool of clichés (well, sort of new) to exploit. Folk metal was nothing new at the time but there was a huge rebranding of it and every label was jumping on board. New bands popped up every year, some great and some boring as hell. One of these bands, Ensiferum, unfortunately introduced heavy metal’s most notorious edging expert, Jari Mäenpää, into the world. Jari left in 2004 to focus on Wintersun, but Ensiferum has continued its steady output of quality music since his departure. Their new album, Two Paths, continues their streak.