As of recently, it seems as if black metal and crust punk are stuck on somewhat of a collision course. The two, finding natural company in their respective fringe existences, slowly began to adopt one another's aesthetics. Eventually, this led to the realization that not only were both genres built on a bleak, misanthropic visual representation, but on a shared musical basis as well. Soon, both black metal and crust punk began to openly embrace one another, taking cues from the other on how to make their music the maximum level of pain. Such is the case with Wildspeaker and their electric brand of environmentalist neo-crust.
Welcome back to our Taxonomy series, where we break down umbrella genres like progressive metal, post rock and doom metal and outline all of the progressions and subgenres that have matriculated over the past few decades. The dissection of thrash metal you'll find below contains a detailed dissection of the most crucial genre in extreme metal style. Thrash led to incredible innovations over the years, and in turn, a multiplicity of styles has made its way back into the genre's core traits to form some of the most forward thinking metal coming out today. Seriously, many of the bands mentioned below have released records less than a year ago, and in some cases, less than a month. There's a ton of ground to cover here, so without further ado, let's riff on some of the best thrash you can use to mosh in your bedroom.
Last year I took it upon myself not only to organize and compile our own staff's AOTY list, but to take things one insane step further and compile a bunch of lists from major metal or metal-covering publications and websites into one MEGA AOTY list to rule them all. Eden and I then analyzed the list and made some (mostly snarky) comments about the metal journalism industry and how they approach these sorts of things. Though I still 100% stand by what we wrote there and the conclusions we drew from it, I was really interested in seeing how well some of them would stand up to another year to use as a data point. Thankfully, this year I had a lot of help in all of our list-making efforts thanks to fellow editor Noyan, who put a ton of work into coming up with the method we ended up using to aggregate our lists (if you haven't already, you should absolutely read his post delving into the nitty-gritty of that methodology) and then did the actual number-crunching.
Season of Mist teamed up in 2014 with Drudkh frontman Roman Sayenko to remedy the implicitness of folk tradition within black metal. Together, they gave us an underrated gem of an album called One and All, Together, for Home. It is nothing else but a collaboration album spanning various traditions, sounds and histories to shine a light on some of the folk music that acts as fuel for black metal. The roster includes the aforementioned Primordial, but also Haive, Winterfylleth, Kampfar and more. Together, they've compiled an album made up of a rich tapestry of styles, from true-to-source renditions of ancient songs to more metal oriented interpretations of said melodies. The guidelines for the contributing acts seem to have fast and loose and thus, the album features varied and disparate approaches, lending it a strong sense of personal, creative identity.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Once upon a funeral moon, Darkthrone was a band cloaked in mystery and steeped in intrigue. They rarely gave interviews except for a select few underground fanzines, were never seen photographed aside from album layouts, and never played live. They were the personification of “kvlt”; a band feared and revered for their complete abandonment of the self-described “silly, trendy death metal” style and full embrace of the aesthetics and sound of minimalist black metal. Taking cues from Burzum and pioneers like Celtic Frost, Venom, and Bathory, they endeavored to set the underground ablaze with the most raw and primitive black metal to possibly be generated by a shoddy basement recording. The results are well documented history.