Aversions Crown – Hell Will Come For Us All

Deathcore isn’t dead. You may wish it was, but if the much-maligned subgenre’s output over the past few years has been any indication, deathcore on every level is alive, well, and thriving. Staples like Fit For An Autopsy, Thy Art Is Murder, Infant Annihilator, Carnifex, Despised Icon, and Whitechapel have…

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Hey! Listen to Codex Obscura!

Extreme metal is already a niche unto itself, laden with sub-genres upon sub-genres. Yet, even by extreme metal’s obscure standards, depressive deathcore solo projects by transgender artists, is probably about as specific as the genre is likely to get and, if Codex Omega is anything to go by, the world…

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Release Day Roundup – 8/2/19

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

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Best of – Brutal Death Metal

Brutal death metal has the rare benefit of being exactly what it sounds like. The differences one would expect between “regular death metal” and “brutal death metal” are manifold and, by and large, pretty predictable: guitars are more downtuned; riffs are chunkier and more visceral; vocals are far deeper and even less intelligible; the whole nine yards. As far as subgenres go, it doesn’t exactly shake up its progenitor’s foundations by a relatively large amount, choosing instead to just take everything that makes death metal an already pretty brutal genre and crank that bad boy up to 11. To the surprise of absolutely nobody, the ensuing auditory carnage is not for the faint of heart, but it is for anybody that feels like extreme metal just isn’t extreme enough yet. If you’ve ever felt that way—the grooves could be groovier, the riffs could be riffier, the blasts could be blastier, the gutturals could be gutturalier—then brutal death metal is the answer to all your prayers. So without further ado, let’s dive in to what our staff considers to the be the Best Of – Brutal Death Metal!

Stepping Stone: Emmure // Felony

This post probably seems way out of place among the many pieces I’ve written for Heavy Blog. But for anyone that knows me, bands like Emmure comprised the bulk of my high school listening, and I threw down hard during their set at Warped Tour 2010. That same year marked the peak of my adoration for “-core” music, though, as I started gravitating more towards the old school metal bands that my friend Mark would show me during lunch. My iPod started filling up with songs like “Dead but Dreaming” by Deicide rather than “Dead but Dreaming” by Carnifex, and before I knew it, I was another metal elitist scoffing at the very thought that Emmure used to be one of my favorite bands. Thankfully, I’ve matured quite a bit since then; not to the point where I’d write an “In Defense Of” post for Emmure, but enough to ignore any news updates about the band rather than leaving an unproductive shitpost in the comments section (“lol, binary code metal, amirite???”). And as I saw updates on their latest album Look at Yourself, it made me reminisce about my old listening habits and prompted me to revisit what used to be my favorite record of theirs: Felony. The result was the following nostalgia-ridden Stepping Stone for a band I view as both one of the worst and most important bands that defined the trajectory of my growth as a metal fan. It was my full intention going into this to be as objective and honest as possible, and I hope this will read as a fair critique of one of metal’s most polarizing bands.

Carnifex – Slow Death

Deathcore may be going through a healthy phase right now and that’s due to the abundance of material out there. It is another case that brings to mind the standard bell curve where the majority is quite similar with small amounts lying on the fringes of the scale. Just like…

42 – Philosopher’s Guide To The Galaxy

Yeah, this week’s dank number fact is pretty obvious. Also, finally we introduce “Bullshit Philosophy Corner” as an official segment! Oh, we also talk about metal. Stuff like Morbid Angel, The HAARP Machine, From First To Last (and Skrillex), Oddland, Opeth, Jinjer, Defeated Sanity, Carnifex, The Dillinger Escape Plan, Equipoise, Alcest and Cortexiphan. Also some dumb top 50 list. Then we do two topics, namely bands that “you had to be there/then to get”, and how fans fixate on members of bands who have passed away. Enjoy!

SHOW REVIEW: Summer Slaughter 2016 – July 30 @ The Palladium, Worcester, MA

Despite my criticism of last year’s Summer Slaughter Tour, I’m actually a fan of several past lineups and the bands they boasted. My first Summer Slaughter back in 2014 had an absolutely monstrous billing which featured some of my all-time favorite death metal bands (Morbid Angel and Dying Fetus in particular). This year’s lineup bore a similarly stacked lineup that allowed me to overlook some of my main criticisms with the tour, being a repetitive selection and – for the Worcester date specifically – an absurd number of opening acts that are relegated to an upper stage removed from the main performances. Unfortunately, these issues became the least of my worries, as a combination of persistent sound issues and band-specific criticisms detracted from an initially promising roster.

37 – Apples and GOATs

It’s the fourth of July, and I’m too caught up in festivities to type up a proper podcast post. Why do I spoil the contents of each episode every week anyway? Oh, right, for SEO purposes, and some people actually read these posts instead of diving straight to the cast. Well, I’ll just list off the relevant artist names and such after the jump with links, and you can listen to the cast for context! Oh, we also talk about our favorite albums of all time. No big deal.