Doomsday, April 2020

Good morrow to thee, Heaviest of All Bloggers. I have returned! Much like the earth, so too must I slumber and re-emerge stronger. I appreciate everyone’s patience and the back up from my fellow writers. My day job is tough work in the time of COVID-19, but somehow I survived…

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Doomsday – 2018 In Review

A dark and foreboding greeting to you, heaviest of Heavy Bloggers! Yes, I’m afraid it’s that time again. The death of the year 2018 demands a review, and we would be quite foolish not to oblige. It’s been another very solid year for doom metal. Personal favorites and genre darlings alike have returned with huge releases, up and comers have made themselves known, and a certain giant of the scene made a comeback after a far too long hiatus. What’s not to like about DOOM 2018?

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Holy Grove – II

So it goes with doom and doom-adjacent artists, the suffocating wear-you-down nature leads to a common endgame. The physicality of gargantuan riffs and laborious rhythms take a toll, eroding one’s sunshiny disposition to a hopeless and dread-bogged torpor. Despite (or because of) this, we love it. We live to feel…

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