I've been meditating on why we even started Editors' Picks; the concept itself seems odd. It's a remnant of old journalistic structure, where the editor in a publication was this authoritative and prestigious figure, cloaked in years of experience and insight. That's hardly the case anymore, in Heavy Blog and outside of it, as Internet structures break down the gates between individuals and editorial privileges. And that's why it's a good thing we have this column; it enables the unique voices which have broken through to the editorial body of the blog to speak outside of consensus.
Each month, we always seem to come to the same conclusion when it comes to our Editors' Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what's been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the day's releases to only our highest recommendations. Here you'll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Over the past several releases, New York-based White Suns have crafted an abrasive and esoteric noise rock formula. Rather than operating in the genre's standard fare of "noisy rock," the trio of Kevin Barry (vocals, guitar), Rick Visser (guitar, electronics) and Dana Matthiesen (drums, electronics) have opted instead for a seamless marriage of noise and experimental rock, with an elevated mood of unease conjured by Barry's cryptic lyricism and spoken word delivery. It's a peculiar formula which unfolded spectacularly across nine disorienting tracks on the band's previous effort, Totem (2014). The album presented an abundance of these unhinged noise rock bastardizations accented by extended passages of dark ambiance and industrial noise that created a painful degree of suspenseful dread before the band finally released the listener back into its chaos-ridden assault. It's the styling of these moments that composes the bulk of Psychic Drift, a four-track bludgeoning anchored by a nightmarish lyrical* journey as disturbing as the music that engulfs Barry's narration.
There aren't many labels that balance consistency and quality quite like The Flenser. Since launching in 2009, the San Francisco-based curator of "dark experimental" music has presented some of the best bands fitting of this classification. And though it was probably due to my own personal taste evolving more than anything else, 2014 seemed to be a particularly phenomenal year for The Flenser's roster, complete with incredible releases from Botanist, Have a Nice Life, Kayo Dot, White Suns and Wreck and Reference. But of all these gems, perhaps the most lasting release from the bunch has been Planning for Burial's Desideratum, Thom Wasluck's captivating blend of shoegaze and ambient drone that feels like an organic, non-GMO version of Jesu's poppy doom metal.
Burning Ghosts is the band I’ve been looking for all this time. Hailing from LA, and signed to the experimental independent label Orenda Records, Burning Ghosts brings everything in jazz I like—lots of passionate, full-bodied playing and tons of free improvisation—and mixes it with metal. The group is a quartet, featuring trumpeter Daniel Rosenboom (who is also the founder of Orenda Records), guitarist Jake Vossler, bassist Richard Giddens, and drummer Aaron McLendon. This lineup alone makes me pretty excited—it’s a something you don’t see a whole lot. Usually when there’s a band crossing these genres, a saxophone player is usually part of the personnel (VIRTA being an exception to the rule). Having a trumpet take that spot stirs the pot a little bit, so to speak—it offers sounds and techniques of jazz that you don’t hear a whole lot.