Max Cavalera and Soulfly and seemed to hit a bit of a rough patch following the back-to-back release of 2005’s outstanding Dark Ages (2005). None of the records released between then and now were particularly poor. Even the least of them, 2013’s Savages, was perfectly serviceable, and some (i.e. 2012’s Enslaved and 2008’s Conquer) even flirted with the band’s upper echelons. Yet there was a certain feeling that the band had fallen into a bit of a rut. Now, with Killer Be Killed (2014) and his recent return-to-form with Cavalera Conspiracy’s Psychosis (2017) under his belt, Max appears to be experiencing a late-career resurgence, and Ritual—his eleventh full-length release under the Soulfly banner—only continues that upward trajectory.
Welcome to Connecting the Dots, the column where we give a brief rundown on a central band along with a host of other projects their members, both past and present, have been involved in. Today we’ll be focusing on progressive sludge powerhouse Mastodon and the myriad of projects they’ve been involved with.
Psychosis has come out during a period when it seems the Cavalera name is more visible and relevant to the metal world than it has been in a long time. The iconic Max Cavalera appeared to have hit his post-Sepultura peak with the back-to-back release of Dark Ages (2005) and Inflikted (2008)—the later of which saw him reuniting with estranged brother Igor and the establishment of the Cavalera Conspiracy. From there, however, it seemed Cavalera senior was content to churn out a steady flow of serviceable yet largely unremarkable Soulfly records, while each of Cavalera Conspiracy’s subsequent releases—though certainly each embedded with their own distinct personality—failed to excite in the same manner as their masterful debut. Yet, beginning with 2014’s superb supergroup collaboration, Killer Be Killed, Max’s career looks to be, once again, on the upswing, and Psychosis only further supports such speculation.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
It’s been a while, but we’re back, so welcome to another edition of Connecting the Dots, and today we will be focusing on mathcore masterminds The Dillinger Escape Plan! Whilst they’re soon going to be shutting up shop (R.I.P), we can remain eternally grateful to the incredible records they’ve released during their two-decade career, their vicious live performances, and the incredible other musical projects they leave in their wake. Without further ado, let’s dive into the amazing projects these musicians have been a part of.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…
Gone Is Gone is a new supergroup featuring Troy Sanders (Mastodon, Killer Be Killed) on bass and lead vocals, Troy Van Leeuwen (Queens of the Stone Age, ex-A Perfect Circle) on guitar, Tony Hajjar (At the Drive-In, Sparta) on drums and film/video game composer Mike Zarin on keyboards and programming.…
I’ve previously expressed my opinions, however brief, about Max Cavalera: ex-Sepultura singer, groove metal pioneer and overall Brazilian badass. While I haven’t been the biggest fan of Cavalera’s recent output of music, I nonetheless owe a great debt to this man, as without him I probably wouldn’t be into metal…
With extreme music, it seems as if there is an almost constant quest to further push the boundaries of just how much misanthropy and hate is included, with many bands often pushing it to somewhat cheesy levels. However, there are those rare few bands whose sound is so intense, so raw, so heinously abrasive that it is impossible to deny that deep down, on some level, they really are just about as misanthropic and nasty as they claim to be. Nails is one of those bands, and though the interview below shows front man Todd Jones at times joking, it is undeniable that his brutal honesty and straight forward honesty shows just how serious Nails is about their message of complete and total musical annihilation. I had the extreme pleasure of sitting down with Todd at Choosing Death Fest in Philadelphia and talking to him about all things extreme music, and what it truly means to be “one of us”.
Back when I was just getting into extreme metal, there was one musician who stood shoulders above the rest for me: Max Cavalera. Ex-Sepultura singer, founder of Soulfly, The Cavalera Conspiracy, Nailbomb, and, more recently, Killer Be Killed. The man has been prolific to the point that he’s released something new every year for over the last decade. But, as much as I have loved Cavalera’s music, it’s gotten a little stale after a while. How many times can you do the same groove formula, no matter how many unorthodox instruments you play around with? How many times can you growl the same way before people get a little bored? If you want a change from Cavalera without completely wiping the man’s influence from your palate, I’d suggest Avernal, an Argentinian death metal act.