Unmetal Monday // 7/29/2019

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…

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Unmetal Monday // 1/14/2019

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…

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Heavy Blog’s Top 25 Albums of 2018 (So Far)

Midpoint. Half in, half out. Shadow. A divide. Balance. The semantic milieu surrounding stuff that’s divided 50/50 is incredibly rich; it opens some of the greatest cultural creations of all time (“Midway upon the journey of our life / I found myself within a forest dark” – Dante’s The Inferno) and…

Bent Knee Are Good At Naming Obscure Land Animals, Want You To Take Them On Tour

Of the many bands I became familiar with and wrote about in 2017, few meant more to me than the Boston art-rock/prog rock/whatever you want to call it collective Bent Knee. I’ve written about them several times this year, including a lengthy interview and profile of the band with frontwoman Courtney Swain. Frankly, by the time we were ready to roll out our album of the year list (where they ranked #17) I didn’t think I would be writing about them again for a while. But they were stopping through Brooklyn again in December, this time with the always amazing prog force that is Thank You Scientist, and I knew I had to come out and see them.

Jazz Club Solo Session // Kamasi Washington’s Harmony of Difference

The search for the greatest jazz album of the decade ended in 2015 when LA-based saxophonist and bandleader Kamasi Washington released his aptly titled debut, The Epic. A nearly three-hour love letter to the genre’s greatest attributes, The Epic is the kind of album that could sustain an artist’s legacy on its own merits alone; follow-ups are welcome, of course, but admittedly unnecessary for the endeavor of establishing Kamasi’s longevity of influence. Though these claims may seem bold, there’s a reason the album inspired the launch of our Jazz Club column and became perhaps the first pure jazz album to ever land among on our collective Albums of the Year. The ensemble’s performances of Kamasi’s compositions are nothing short of enthralling, whether they’re soaring through swirls of gospel choruses and inspired playing or masterfully moving through contemplative moods. Every track is an epic statement in its own right, and by the time the album concludes, listeners should be awed by the manner in which Kamasi maintains intrigue and quality across such an overwhelming run time.