Heavy Pod Is Heavy Cast! Eden is finally back, but this time I'm derailing. We talk about new music from Dreadnaught, Inanimate Existence, Babymetal, Warforged, Xenobiotic, Flub, and Destrage. Then we talk about the Threatin lawsuit, Mayhem signing with Century Media, and Demons & Wizards coming back. Also some philosophy, cool people time with Detective Pikachu, Chernobyl, Charles Stross's Laundry files, Hannu Rajaniemi's Summerland and Re:publica. Enjoy!
Like Unique Leader before them, The Artisan Era is fast becoming the go-to label for all things prog and tech death, cultivating a roster of "who's who" among up-and-coming names in the genre such as Warforged and Inanimate Existence while simultaneously attracting longstanding names in the genre by pressing releases for acts like Augury and Spawn of Possession. Chances are, if there's a new band wearing The Faceless and Necrophagist influences on their sleeves and they're worth the time and attention, The Artisan Era is backing them, their logo becoming a seal of quality.
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure trove, others find themselves drawing a blank at the end of the month due to the breakneck pace needed to keep up to date with what’s been released. Which brings us to this Heavy Blog PSA: a weekly roundup of new albums which pares down the the week’s releases to only our highest recommendations. Here you’ll find full album/single streams, pre-order links and, most importantly, a collection of albums that could very well earn a spot on your year end list. Enjoy!
Sometimes you have to take a step back to move forward. Counter intuitive, yes. But as I’ve progressed through life I’ve found this to be true. Perhaps related to a career, where one has to go back to the drawing board to re-learn concepts long forgotten from some slept-through college lecture. Or in one’s personal life, where sometimes rehashing old wounds is the only way to progress past them. Music often falls into this same trajectory. Sometimes the alteration of sound works against a band rather than for them. While I am an enormous proponent of progression and change in music, how a band decides to engage in new musical and thematic concepts matters. Some do it right (Artificial Brain, Ingurgitating Oblivion), while some do not (latter-day Metallica, Morbid Angel). Yes, the parenthetical suggestions used to prove my point here are infinitely debatable, but I would make the argument that not all of these bands’ forays into uncharted territory worked in their favor. So it’s nice to see a band keep to their progressive trajectory, but pull from their back catalog elements that make their sound more enjoyable. Inanimate Existence are one of those bands, and with Underneath a Melting Sky have further perfected their sound by staying adventurous while simultaneously plundering the most essential elements of their past records.