The Anatomy Of – Bleeth

I'm honestly warming up to the idea of using this series to introduce you to new bands; after all, what description of the band's music could ever live up to the band themselves talking about the influences which made it be? With Bleeth, fresh of the release of their debut full length album titled Geomancer (it was released just last Friday, the 24th of August), it's a double pleasure since I don't just get to introduce you to a band but an excellent one at that. They deliver the kind of emotional doom/stoner/psychedelic that we've come to expect in 2018, replete with great riffs, moving vocals from two complementary vocalists, and an overall dedication to momentum that lies at the core of what makes this kind of music work.

Vein – errorzone

Growing up in the late '90s and early '00s meant being exposed to some of the greatest examples of bad metal. Like, genuinely really bad metal. Some of it was great though, of course. Everyone loved it at the t... Read More...

Glassjaw – Material Control

Glassjaw has never really died. They're like a phoenix, if said mythical flaming bird also suffered from an incredibly hectic demeanor and a haphazard attitude towards its own existence. Ever since kicking off the underground music scene of the early 00's, Glassjaw continued to treat their career and musical progression like they did their by-now legendary live shows. Arms flailing, music appearing and then disappearing for undefined periods of time, submerged in the rumors of hiatus and demise only to resurface from time to time with a voice of thunder, Glassjaw has spent the last fifteen years basically being a nightmare for all but the most die hard of fans. But to be honest with you, it was worth it. It was worth having that name in the periphery of the scene but also, somehow, at its center, waiting for a reconciliation, for Glassjaw and the rumor of Glassjaw. It was worth it because, at the end of the process, we got Material Control.