Heavy Rewind // Cathedral – The Ethereal Mirror

Just two years after their debut, Cathedral pumped up the tempo and incorporated a slew of influences stretching beyond their solid, but somewhat limited, doom metal sound on Forest of Equilibrium. Shades of sludge à la Black Flag and The Melvins are most apparent, but the band reaches further beyond the low-and-slow realm to pull in influences from hard rock, heavy metal and progressive rock. Most importantly, the band’s vibrant personality sheds its skin entirely and reveals its true colors, thanks in large part by an unhinged, dynamic vocal performance from Lee Dorrian. It’s an exceptional combination that slightly edges out the band’s initial groundbreaking efforts. Whereas several bands contributed to the sound developed in part by Cathedral on Forest of Equilibrium, there’s never really been an album that sounds quite like The Ethereal Mirror, and it remains a multifaceted album with reverberations felt in music from the likes of Baroness, Pallbearer and a decent chunk of modern stoner metal.

125 – Bands That ICS Vortex Isn’t In

Me and regular co-host Cody get together and discuss stuff. Cattle Decapitation being nice to students who were discriminated against, Limp Bizkit signing to Napalm Records, The Ghost Inside deciding to continue after their tragic accident, Metallica having some fun live despite Kirk, and Elliot Coleman doing a song for Dragonball Super. Then some recent music, like Alkaloid, Dimmu Borgir, Ihsahn, and Childish Gambino. Then we do a cool people section with God of War, and extended spoiler discussions of Westworld and Infinity War. Enjoy!

Hey! Listen to Plague Father!

Ever wondered what The Acacia Strain and The Black Dahlia Murder would sound like if you rammed them together headfirst inside some kind of doomed-out super collider? No? Well, Plague Father have. What about Darkest Hour meets Cattle Decapitation, by way of Watain? Plague Father have you covered for that…

Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

Grind My Gears – Posers Inc. and Grind Against Trump

This edition of Grind My Gears belongs to an upcoming compilation with a more than deliberate message. A glance at the artwork should give you a clue as to what that message is. Some publications and blogs keep their cards pretty close to their chest when it comes to the burning issue of the day. We don’t. That’s why I’m using my space here to help promote an upcoming compilation from newly founded label Posers Inc. Grind Against Trump won’t solve any of these issues overnight but it’s a start. This compilation of grind, violence and ‘core stands for something when most are content with simply sitting and playing the voyeur. Organiser and label founder Benjamin James took some time out from his day to day life to answer a few questions about the compilation, who it will benefit and why it is a necessary step.

Benighted – Necrobreed

French death metal masters Benighted have been at this for a while. Being formed in 1998, Necrobreed is their 8th album, and it shows that the band can change and get with the times. Their early work was borderline black metal, then switching to deathgrind, and today, they’ve arrived at modern death metal. They’ve always had a unique touch to their sound, something that made them immediately identifiable. And while Necrobreed is ferocious, tight, and overall a showcase of their current choice of genre, it’s also the least Benighted they’ve ever been. If that’s not a problem, then you’ll be in for a ride.

Black Hate – Through the Darkness

How many black metal bands in the past have proven to be truly progressive, innovative or even avant garde? You might find several bands that fit that niche. Even some big acts in black metal could be included under the Progressive black metal umbrella, such as Enslaved and Ihsahn. Let’s turn our attention to Black Hate now. Hailing from Mexico, the promising group have released an album that pushes the “black metal” label in directions seldom seen. With Through the Darkness we have an album that breathes new life into tired black metal tropes and dares to stand on it’s own. So what do they do differently that sets them apart from their peers? What can we correlate Through the Darkness with to find out what makes it unique?