These posts are written by: Jonathan Adams

Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

Kvlt Kolvmn // October 2017

Happy Halloween, 2017, from your nefarious friends at Kvlt Kolvmn! Hard to imagine a better day for this column to land near, what with all the ghouls, spirits, demogorgons and Eleven’s traipsing around with their sugar receptacles and real world terror encroaching from every corner of this planet. God, what a miserable year in so many ways. Thankfully, that misery has not extended into the world of black metal, which continues to drop sensational releases month after month. October is no exception. This month saw the release of several exceptional albums that not only continued to solidify the importance of black metal’s existence as one of the premier subgenres within the metal universe, but also its ability to offer complex, fierce statement of countercultural urgency. That last component is important for one particular album that screams thoroughly against some of the prevailing philosophical dogma that runs rampant in the darkest corners of the subgenre. Despite the most truly reprehensible portions of its collective ranks, black metal can indeed speak the language of justice. But enough talk. Let’s metal.