This edition of Grind My Gears belongs to an upcoming compilation with a more than deliberate message. A glance at the artwork should give you a clue as to what that message is. Some publications and blogs keep their cards pretty close to their chest when it comes to the burning issue of the day. We don’t. That’s why I’m using my space here to help promote an upcoming compilation from newly founded label Posers Inc. Grind Against Trump won’t solve any of these issues overnight but it’s a start. This compilation of grind, violence and ‘core stands for something when most are content with simply sitting and playing the voyeur. Organiser and label founder Benjamin James took some time out from his day to day life to answer a few questions about the compilation, who it will benefit and why it is a necessary step.
These posts are written by: Matt MacLennan
It’s been a minute since our last Holy Roar Records File and even longer since I wrote one. It’s only appropriate that the post is dusted off and brought back for this. Somehow, I hadn’t covered Employed To Serve in this feature before but that HAD to change for one reason; The Warmth Of A Dying Sun releases today and is a bona fide game changer in hardcore and heavy music. You can throw Code Orange at me all you want, Employed To Serve are thee band at the forefront of genre smashing heavy music. As always, make your own damn mind up about but if you feel like you need convincing then read ahead. There will be bountiful amounts of hyperbole and fruity language – oh, and a track by track breakdown from EtS’s very own Justine Jones. Tight.
It’s been nearly two years since A Trust Unclean popped up with the fantastic Reality Relinquished EP, a UK tech…
It’s been awhile since our last Soul Curator playlist so I thought I’d take a break from the daily grind…
OK. I’m challenging myself with this one. Taking twelve minutes to write about a twelve minute debut EP can and will be done. Just watch me, I don’t back down from a struggle, even if it’s with hate filled morons on the Internet who wanna send empty death threats to me. Mate, you’re a cunt and I hope that something heavy lands on your head. Something as heavy as this. Not so much grind today but this definitely gets my gears working. Hard. And it’s Scottish too. Moist.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We randomly select two of the participants from each update, have them pick their favorite track from each of the nine albums in their grid and then send the list over to the other person to listen to and comment on. Within these commentaries occurs praise, criticism and discovery, and we hope that you experience a few instances of this last point as well. This week’s post has staff writer Matt MacLennan face off against senior editor Nick Cusworth.
If I were straight edge I’m sure there would be a lot more “edge” bands in my music library; hardcore is cool and they are plenty of edgecore bands out there that could satiate my thirst, so to speak. If I was a Christian (sike) there’d probably be a couple of holy moly heavy bands in there as metal is rife with bands holding up the horns (sike, again) for the Lord. I am neither of these. I love to drink and possess quite a skill for being able to do quite a lot of it. Why is this pertinent to Grind My Gears this week? Well, Feral Chaos also really like to drink. And they LOVE to play grind, the nasty kind you’d find in the bottom of a can used for sinking cigarette ends in.
Grind My Gears is back once again with the swirling streams of caustic yellow filth. I promise that I will never again let sickness keep me and the grind away from your weak, prolapsed cavities. Now, this isn’t the first time I’ve written about Piss Vortex for Heavy Blog (it’s not even the second) but these Copenhagen deviants are quite simply the best of the best; in terms of where they are taking the sound and the sickening swagger with which they do so. They’re not Napalm Death or Brutal Truth yet, obviously—they have less than hour of recorded music available to grind to—but with their recent surprise EP Soft Reboot they’ve delivered a quick wake up kick in the dick to anyone as yet unaware.
What’s the difference between a good concept album and a shit one? Hard to say. Does it depend on the lyrical content? Thematic refrain and reprisal? Who knows. There’s even sneaky concept albums, the likes of which the layman listener wouldn’t even begin to fathom had intentions beyond riff, chorus, solo, repeat. The Cold Sun might be one of these; Loathe seem like a band bold enough to attempt such a thing on their debut full length. What isn’t up for debate is this – The Cold Sun is just about all filler. Twelve tracks. Six songs. Zero (or damn close to it) cares.
Like it or not, a whole bunch of the staff at Heavy Blog “grew up” on deathcore in the mid to late 2000’s. Some love to admit it and some loathe to—some didn’t listen to it at all because they were clearly more well-adjusted to life and stuff. With a decade of deathcore now (well and truly) behind us, it’s probably an appropriate time to look at some of the genre’s most notable releases in that time. As it’s 2017, let’s start with 2007 (well done, mathletes) and the first full length from California lyric shirt pioneers Suicide Silence. If your favourite deathcore release came out in 2006 then sorry, look elsewhere.