These posts are written by: Karlo Doroc

Hey! Listen to Triple Kill!

Earlier in the week Eden introduced us to fun-loving Canadian weirdos Bird Problems, and I couldn’t help but think that Australia must have something of the sort. Enter Triple Kill, relative newcomers to the heavy metal scene in Melbourne. The quintet play straight up heavy metal, with drummer Connor O’Keane listing some of their key influences as “Iron Maiden, Blind Guardian, Lamb of God and Pantera”. Add to this mixture of power metal and groove some distinct characteristics from both thrash and melodic death metal and you have yourself Triple Kill’s core sound. However, things don’t just stop at the music. Triple Kill have quickly made a name for themselves for producing some fantastic, hilarious videos. But hey, don’t take my word for it, check out the band’s introductory video below:

Connecting the Dots // The Dillinger Escape Plan

It’s been a while, but we’re back, so welcome to another edition of Connecting the Dots, and today we will be focusing on mathcore masterminds The Dillinger Escape Plan! Whilst they’re soon going to be shutting up shop (R.I.P), we can remain eternally grateful to the incredible records they’ve released during their two-decade career, their vicious live performances, and the incredible other musical projects they leave in their wake. Without further ado, let’s dive into the amazing projects these musicians have been a part of.

Hey! Listen to Others By No One!

In 2015 Native Construct’s fantastic debut Quiet World took the community by storm. We at HeavyBlog loved it so much that we placed it at #3 in our Top 50 albums of 2015. It truly was a great album, flush with brilliantly executed genre-transitions, vibrant compositions, a grandiose concept, technically accomplished playing and a flair for originality. If you loved that sound as much as we did and you’re aching for something similar, then look no further than Others By No One’s debut EP Book 1: Dr. Breacher. Check it out below!

Stone Sour – Hydrograd

In China, there is a myth that carp swimming upstream try valiantly to swim up a waterfall, a clearly impossible task. Yet, they persist and persevere, straining every muscle as they strive to reach the top, and sure enough, a rare few are able to get there. It is said that any carp which successfully makes the climb is then rewarded for their determination with transformation into a mighty dragon. After swimming upstream for a decade, Stone Sour announced themselves a dragon of rock with their last two LPs, House of Gold and Bones (HoGaB) Parts 1 & 2 respectively. The masterful double album was the epitome of progressive hard rock in the modern era, infused with a thrilling concept, reoccurring musical and lyrical motifs, seamless transitions and excellent riffs. Taylor’s vocals moved effortlessly between unbridled aggression and morose beauty. The songwriting was inspired, each song standing proudly on its own two feet, yet even better when placed alongside its brethren. It was a rare release to draw inspiration from the giants of the 70’s and, when all was said and done, comfortably stand shoulder-to-shoulder beside them. Thus one could be forgiven for feeling optimistic about where Stone Sour went next. Unfortunately, Jim Root’s acrimonious departure in mid-2014 led to doubts over their future sound and direction, doubts which a pair of cover EPs did little to dispel. And so here we are in 2017, four years on from the magic that was HoGaB. Stone Sour is back, with Christian Martucci (Black President, ex-Chelsea Smiles) having replaced Root on guitar. The question though, is can they live up to the hype?

Chaos Divine – The Heavy Blog Is Heavy Interview

In 2015 we told you that Chaos Divine had the goods, and today we’re lucky enough to speak with them. Starting off as something of a melodic death metal band, Chaos Divine have gradually evolved into the progressive/alternative rock sound which Australia has become famed for. We speak with them about their fantastic 2015 release Colliding Skies, their experiences with crowd funding, the Australian scene, what it’s like being a band from the isolated west coast of the country and, of course, eggs.

Gods of Eden – The Heavy Blog Is Heavy Interview

Today we’re joined by none other than the mercurial Gods of Eden from Sydney, Australia. These progressive metallers earned a rave review with 2015’s exceptional debut LP From The End of Heaven, a release which found itself right up there on our 2015 end of year list and helped inspire our Beyond the Veil column. Grandiose compositions, enchantingly technical guitar playing, cinematic soundscapes and diverse vocals are the name of the game here, and we’re predicting big things to come from these guys. Without further ado, let’s get into it and see what they have to say about the concept behind their debut, what their new album will sound like, the Australian scene and more!

An Interview with Andy Marsh of Thy Art Is Murder

As you may have noticed, over the past month or so we’ve been interviewing a series of Australian artists, and we’ll continue to bring those to you this month. Today we’re lucky enough to be joined by Andy Marsh, guitarist in Australian deathcore outfit Thy Art is Murder. The band have been making waves on the international scene for some time now and are one of Australia’s more successful exports. Vocalist CJ McMahon has recently reunited with the band and a new record is on the way, so we spoke to Andy about that, their split EP with Fit For An Autopsy and The Acacia Strain (available here), Australia and more. Enjoy!