“We’re going back to our roots” is something that a lot of bands say. So often, that the phrase has almost lost its point. It’s more interesting, though, when uttered by a band that aren’t backed into a corner. While many bands say this to reinvigorate interest after a series of releases that meet lukewarm reception or are creatively bankrupt, Vintersorg are clearly not one such band. In fact, they’re pushing along steadily, and frontman Andreas Hedlund also helms Borknagar, so he has a lot of room to explore his writing. Still, he has chosen this direction for his tenth album, making a sequel to their debut. It’s an odd choice, but it works!
These posts are written by: Noyan
Swedish progressive black metal masters Vintersorg are back with their tenth album, which is a direct sequel to their debut from 1998. The brainchild of Andreas Hedlund (Borknagar) and Mattias Marklund, Vintersorg have been forging ahead in their own brand of mellow, beautiful darkness. The prospect of them revisiting their older sound with a new take almost two decades later is quite exciting, and we’re excited to share it with you!
Fun times! This week we discuss a bunch of new music. Leprous, Tesseract, Archspire, The Haunted, Aborted, Cloakroom, and Fox Territory. Then we have some live footage from Zeal & Ardor, Spotify suffering losses, and Rolling Stone’s top 100 metal albums. Then we discuss the Transformers movies, and what makes a good villain. Enjoy!
I’m back, and so is Eden, so we have a normal episode for once! And it’s a glorious trainwreck. We talk about new music, including Myrkur, The Arusha Accord, Akercocke, Leprous, Igorrr, Fractal Universe, ZETA, The Contortionist, The Faceless, and Queens of the Stone Age. Also, Gene Simmons of KISS trying to trademark the metal horns. We have an extended discussion on bands appropriating spiritualism and eastern philosophy and then do the first part of a deep segment on Devin Townsend. Specifically Strapping Young Lad and Devin Townsend Band. This one’s a wild ride, so enjoy!
The progressive metal “scene” has become more and more insular over the past decade or so as it’s risen to prominence. While the higher profile has lead to more diversity among bands who can reach an audience, as with additional size comes additional bulk, the definition of “progressive” has become blurrier as more bands incorporate elements from the sound into their toolkit, forcing the genre to define itself by contrast. Complexity, self-seriousness, “enlightenment” and a gratuitous focus on music theory and pseudo-intellectualism have become pervasive. While the counter-movement of doubling down on “ignorant”, more streamlined music has also fostered, it’s become easy to be stuck between two extremes. As such, being able to find music that doesn’t stick to tropes has become increasingly difficult. Enter Exist, a progressive metal band that’s almost anti-prog. They take the intricacy of bands like Cynic and their predecessors in Death and combine it with sarcastic disrespect towards prog conventions. The end result is their sophomore release, So True, So Bound, and it’s a clever combination that is confusing in an intriguing way.
The title doesn’t do our guest justice! Doug Moore is the vocalist of Pyrrhon, but he also writes the excellent Black Market column at Stereogum. Eden chats with Doug about those two things, and more. The creative process, writing for a metal site, and more. Enjoy!
There’s a particular appeal to progressive death metal. Combining the ferocity of death metal with the more introspective and calculated approach of prog is inherently intriguing. Not a lot of bands attempt this, and many who do end up on the wrong side of boring. Repetition of elements and motifs, extended passages and slowing down death metal don’t necessarily make it progressive. That’s why when a band is able to find a good formula and distinguish their sound, they deserve recognition. Enter Sentient Ignition. This young Californian band has made a very compelling statement with their debut release Enthroned In Gray, and demonstrated that they understand exactly what mixture of ingredients will lead them to success.
In case the title wasn’t clue enough, this week we have Max Phelps of Exist, Defeated Sanity and Death to All (also ex-Cynic) as our guest! We discuss his creative process, touring with Gorguts, and of course, the upcoming Exist album So True, So Bound, which comes out this week! We also discuss new music from Origin, Bloodshot Dawn, Rings of Saturn, Vintersorg and more! We also discuss Fredrik Thordendal’s hiatus(?) from Meshuggah and Per Nilsson of Scar Symmetry replacing him. Finally, we talk about how Spotify artist payments have been decreasing despite their financial growth. Enjoy!
“Sumeriancore” was an interesting genre. A highly specific brand of progressive metalcore that coincided with the rise of Sumerian Records, lead by prominent bands on that label, it was very popular for a few years and then dissolved into djent shortly after. Born of Osiris were at the forefront of this, if not the main driving force. Being part of the original “big 4” of the genre along with label mates Veil of Maya, The Faceless and After the Burial, they’ve inspired many other artists and headlined many tours. They’ve had some wildly acclaimed albums, and some that are borderline ridiculed. A decade after their debut, where are they now? Where is the genre? And what’s their future? That’s what we’re here to discuss today.
Well, actually, the title is the opposite of the truth. Instead it’s Noyan-free and Scott-ful. AKA, I was away this…