Listening back to Whitechapel’s much-maligned 2016 record, Mark of the Blade, I’m finding it difficult to discern exactly what I’m meant to dislike about it. Am I meant to resent it for being a watered-down continuation of the groove-heavy sound the band had developed over their past two albums? Or…
While I was made aware of Ashe O’Hara through his tenure with TesseracT (Altered State is amazing, fight me) I was stoked to discover Voices from the Fuselage through this intersection. In many ways, their brighter and more atmospheric sound utilizes his ethereal timbre better, setting off other and pleasing areas of his range.…
After seemingly running out of steam toward the end of the previous decade, Kataklysm bounced back in fine form with 2013’s Waiting For The End To Come and its worthy follow-up Of Ghosts and Gods (2015). Having taken an uncharacteristically long time between releases, in order to focus on their…
In China, there is a myth that carp swimming upstream try valiantly to swim up a waterfall, a clearly impossible task. Yet, they persist and persevere, straining every muscle as they strive to reach the top, and sure enough, a rare few are able to get there. It is said that any carp which successfully makes the climb is then rewarded for their determination with transformation into a mighty dragon. After swimming upstream for a decade, Stone Sour announced themselves a dragon of rock with their last two LPs, House of Gold and Bones (HoGaB) Parts 1 & 2 respectively. The masterful double album was the epitome of progressive hard rock in the modern era, infused with a thrilling concept, reoccurring musical and lyrical motifs, seamless transitions and excellent riffs. Taylor’s vocals moved effortlessly between unbridled aggression and morose beauty. The songwriting was inspired, each song standing proudly on its own two feet, yet even better when placed alongside its brethren. It was a rare release to draw inspiration from the giants of the 70’s and, when all was said and done, comfortably stand shoulder-to-shoulder beside them. Thus one could be forgiven for feeling optimistic about where Stone Sour went next. Unfortunately, Jim Root’s acrimonious departure in mid-2014 led to doubts over their future sound and direction, doubts which a pair of cover EPs did little to dispel. And so here we are in 2017, four years on from the magic that was HoGaB. Stone Sour is back, with Christian Martucci (Black President, ex-Chelsea Smiles) having replaced Root on guitar. The question though, is can they live up to the hype?
Few bands out there can lay claim to influencing the creation of an entire musical movement. Meshuggah’s a relatively recent candidate with the explosion of the djent genre that formed in their wake, and despite what you think of the copycats that followed, you can’t necessarily blame them for it; they’re a band that did something different and naturally, others took notice. Korn are in the same boat; their 1993 self titled debut is a celebrated classic, and despite some missteps and the continued teenage angst from an aging band, they should not be thought of in a negative light because of the legions of terrible acts that followed.
By now, if you know Slipknot, you’ve likely at least heard of Stone Sour. Before the departure of Jim Root (which I still don’t get, but whatever), it was comprised of 2 members of the ‘Knot. Their last album, a double concept album, received high praise from me, and they’re still one of…
Last month’s shocking news that Slipknot have parted ways with long-time drummer Joey Jordison left many of us dumbstruck and wondering WHY. The group have been dead silent on the matter, probably for legal reasons. Finally, with the new year came some new illumination on the matter, when Joey Jordison…
I’m going to skip the intro because I know most of you just want to read the list. 20. Gorguts – Colored Sands [bandcamp width=100% height=120 album=1765182570 size=medium bgcol=333333 linkcol=e32c14 t=6] Gorguts have come back, and with a vengeance. Colored Sands picks up where they left off, with incredibly dissonant…
Award shows in the metal world, much like lists, are a necessary evil. Nothing quite gets people talking as much as an organisation declaring that something is ‘the best’ in it’s field and, whether it’s civil or not, there’s usually some interesting points raised. So, with that in mind, let’s…
Stone Sour House of Gold and Bones Part 2 01. Red City 02. Black John 03. Sadist 04. Peckinpah 05. Stalemate 06. Gravesend 07. 82 08. The Uncanny Valley 09. Blue Smoke 10. Do Me A Favor 11. The Conflagration 12. The House Of Gold & Bones [04/09/13] [Roadrunner Records]…
