EXCLUSIVE PREMIERE: Worship at the “Shrines of the Wakhan” with Hashshashin’s Psychedelic Middle Eastern Post-Rock

With my current schedule being as tight as it is, there has to be something compelling about a release to warrant one of my verbose, 1,000+ word reviews; the days where I’d publish near daily reviews on Sputnikmusic during college are long since gone. This occasionally results in more of…

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Alarmist – Sequesterer

By now, you’ve probably seen us rant and rave about the new wave of “post-math rock”; more specifically, the trend of bands blending the traditional bouncy melodies of math rock with post-rock structures, jazz-influenced technicality, and generally progressive and experimental ideas. As I’ve outlined before, Art As Catharsis and Small…

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The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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Rendezvous Point – Universal Chaos

We’ve pointed out many times that viewing your relationship with music as some sort of pure, Platonistic dynamic is absurd. The fact is that context, mood, pedigree, and aesthetic all play a part in whether you like a band’s music or not, often playing a bigger role than any “objective”…

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Port Noir – The New Routine

By the time a band reaches their third album, it is not unreasonable to have a certain set of expectations about what it will deliver. Sometimes, the band will stumble and fail to meet them. Others will rise to the challenge and comfortably surpass them. And a third group, to…

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