Love Letter to Neil Peart and Rush

Between the Buried and Me. Dillinger Escape Plan. Periphery. Death. Dream Theater. Opeth. Tool. Mastodon. Meshuggah. Protest the Hero. Cynic. Voivod. And so, so, so many others. I could go on ad nauseum but suffice to say, hard rock and heavy metal as we know it would not exist without…

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Thy Catafalque – Naiv

Since this is my first review of the year, it’s a good time to mention one of my annual music resolutions. I try to evolve my listening habits with a new focus come Jan. 1, with this year’s theme being to cut down on my “Lazy List.” With all the…

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Legendry – The Wizard and the Tower Keep

The prospect of revivalism, as we’ve discussed on the site many, many times before, is a double-edged sword. With every attempt to recreate the magic of older bands or scenes that have fallen by the wayside comes the possibility that the alchemy falters; any time eyes are turned firmly backwards,…

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Hey! Listen to Strawberry Girls!

Of all the ways post-hardcore could have evolved, who could have predicted we’d eventually be talking about something called “Swancore.” The quasi-genre has spun out more significantly than I’m sure Will Swan might have guessed when he co-founded Dance Gavin Dance. At the same time, his signature guitar style is…

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Dysrhythmia – Terminal Threshold

The best part about bands with a completely unique identity is the way they not only differentiate themselves from other groups, but from their own sound with each subsequent release. This trait applies directly to Dysrhythmia and the vast field of other projects involving Kevin Hufnagel (Gorguts, Vaura) and Colin…

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Hashshashin – Badakhshan

After five years with the blog, there are a number of posts I still look back on fondly. My interview with Lachlan R. Dale still ranks among my all-time favorites for a number of reasons. First, and most obvious, was the ability to connect with the man behind two of…

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EXCLUSIVE PREMIERE: Worship at the “Shrines of the Wakhan” with Hashshashin’s Psychedelic Middle Eastern Post-Rock

With my current schedule being as tight as it is, there has to be something compelling about a release to warrant one of my verbose, 1,000+ word reviews; the days where I’d publish near daily reviews on Sputnikmusic during college are long since gone. This occasionally results in more of…

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