Dysrhythmia – Terminal Threshold

The best part about bands with a completely unique identity is the way they not only differentiate themselves from other groups, but from their own sound with each subsequent release. This trait applies directly to Dysrhythmia and the vast field of other projects involving Kevin Hufnagel (Gorguts, Vaura) and Colin…

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Hashshashin – Badakhshan

After five years with the blog, there are a number of posts I still look back on fondly. My interview with Lachlan R. Dale still ranks among my all-time favorites for a number of reasons. First, and most obvious, was the ability to connect with the man behind two of…

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Feast of the Epiphany – Practicing Loss

Feast of the Epiphany is a unique project. The brainchild of composer Nick Podgurski – along with collaborators Andrew Smiley and Caley Monahon-Ward – the group merges the seemingly incompatible worlds of drone, folk, psych, prog, and ambient synth (among other things) into a curious, avant-garde blend. As if that…

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Humanity’s Last Breath – Abyssal

Summertime. The living may be easy, the fish jumping and the cotton high, but Humanity’s Last Breath couldn’t give a shit about that. As Europe is broiled by a particularly ferocious heatwave, the Swedes prepare to deliver a relentless blast of bleak and uncompromising gloom on harsh Scandinavian winds.  Abyssal,…

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Alarmist – Sequesterer

By now, you’ve probably seen us rant and rave about the new wave of “post-math rock”; more specifically, the trend of bands blending the traditional bouncy melodies of math rock with post-rock structures, jazz-influenced technicality, and generally progressive and experimental ideas. As I’ve outlined before, Art As Catharsis and Small…

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Pinkish Black – Concept Unification

Bringing “the heavy” in new and interesting ways is tough, but Texas duo Pinkish Black have a way of making it sound easy. Frighteningly dark and drenched in desperation, they evoke everything from the more obvious horror-tinged vibes to ephemeral, unsettling tension. They’re never really heavy in the sense of…

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Baroness – Gold & Grey

It’s always a tricky thing when an established group puts out a new record. You don’t want to get your hopes up necessarily, but you’re just really looking forward to hearing it. Especially if that artist is one of your favorites. You don’t want to project on them but it’s…

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The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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