I’ve always gravitated towards multi-instrumentalists with an array of sonic interests. Artists who extract unique ideas from a kernel of creativity always tend to mix flavors with each side project. A great example is the collective work of Kevin Hufnagel and Colin Marston (who just released another excellent Dysrhythmia album),…
Bringing “the heavy” in new and interesting ways is tough, but Texas duo Pinkish Black have a way of making it sound easy. Frighteningly dark and drenched in desperation, they evoke everything from the more obvious horror-tinged vibes to ephemeral, unsettling tension. They’re never really heavy in the sense of…
Take your nerd-ass “WINTER IS COMING” nonsense and chuck it in the garbage. Winter is gone. Spring is here. More importantly, Tulip is here. (Oh relax, I’m not really being serious about chucking everyone’s favorite fantasy TV series in the garbage. I’m also guilty of getting in too deep to…
Back in November we premiered “Prayers” from the debut album by SOM, a supergroup of sorts featuring a trio of unheralded members of the heavy music landscape. Vocalist/guitarist Will Benoit and drummer Duncan Rich comprised two-thirds of the spacey/heavy indie band Constants, who played a strong role in the burgeoning…
written by Evan Lurie Today we have a guest author with us, Evan Lurie from the post-genres-dedicated blog Arctic Drones. Evan has long been one of the authorities on ambient, electronic and synth-driven music at Arctic Drones, in tandem with his deep appreciation of post-rock, math-rock and all sorts of…
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…
Don’t Touch The Outside, Between the Buried and Me frontman Tommy Rogers’ fourth proper full-length under the moniker Thomas Giles, takes the retrowave and electronic influences on previous outing Velcro Kid (2016) and imbues those new wave vibes with some of the wilder experimentation and genre diversity which made Pulse (2011) and Modern Noise (2014) so incredible.
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…
Branding is a weird concept when it comes to death metal. How does a band ensure their sound is instantly recognisable in a world full of Soundalikes, all trying to blast faster, groove harder, and shred more than the rest? Fuck knows. If you really need the answer to that…
With her self-titled solo debut, Moon Duo keyboardist Sanae Yamada has produced a stunning, contemplative combination of krautrock and space rock elements with a progressive electronic foundation, resulting in seven soundscapes defined by immediate appeal and endless furrows to unravel.
