Editor’s Note: Longtime reader Remi VL is a regular guest contributor to our Release Day Roundup posts! He submitted several of the albums listed below. Join his Facebook group for more recommen... Read More...
With music, as in every facet of life, expectation creates a breeding ground for disappointment. Albums often clear the bar fans continuously raise, of course, but they can also hit it straight on or miss the ... Read More...
It’s been said that there’s more to life than music and, while we remain sceptical, we’ve decided to test the premise with our new bi-weekly Cool People Column!
Noyan and Eden already bring you great pop cul... Read More...
I've always gravitated towards multi-instrumentalists with an array of sonic interests. Artists who extract unique ideas from a kernel of creativity always tend to mix flavors with each side project. A great e... Read More...
Bringing “the heavy” in new and interesting ways is tough, but Texas duo Pinkish Black have a way of making it sound easy. Frighteningly dark and drenched in desperation, they evoke everything from the more ob... Read More...
Take your nerd-ass “WINTER IS COMING” nonsense and chuck it in the garbage. Winter is gone. Spring is here. More importantly, Tulip is here. (Oh relax, I’m not really being serious about chucking everyone’s fa... Read More...
Back in November we premiered "Prayers" from the debut album by SOM, a supergroup of sorts featuring a trio of unheralded members of the heavy music landscape. Vocalist/guitarist Will Benoit and drummer Duncan... Read More...
written by Evan Lurie
Today we have a guest author with us, Evan Lurie from the post-genres-dedicated blog Arctic Drones. Evan has long been one of the authorities on ambient, electronic and synth-driven mu... Read More...
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Pla... Read More...
Don't Touch The Outside, Between the Buried and Me frontman Tommy Rogers' fourth proper full-length under the moniker Thomas Giles, takes the retrowave and electronic influences on previous outing Velcro Kid (2016) and imbues those new wave vibes with some of the wilder experimentation and genre diversity which made Pulse (2011) and Modern Noise (2014) so incredible.