Half-Life: Bleeding Through

If you’re not convinced that we’re currently deep in the middle of the metalcore resurgence, then the simple fact that tomorrow sees the release of the first Bleeding Through record in over six-years should lay those doubts to rest. You’ll have to wait until then for Jordan to tell you just how good Love Will Kill All is, but this seems like as good an opportunity as ever to look back upon the career of a band who were foundational to the dominant heavy metal movement of the new millennium, and who certainly carved out a strong following for themselves, yet who—in retrospect—feel somewhat overlooked compared to their peers, especially considering the sheer quality and consistency of their output. You might say, that their genre’s Testament and, if new single “Fade Into The Ash” is anything to go by, it would also seem they haven’t lost any of that edge in the more than half-decade interim.

Half-Life – Parkway Drive

Parkway Drive have come a long way since the days of all-ages, community center shows at which I became acquainted with them. For one thing—going by the banner picture above—drummer Ben Gordon is now rocking an impressively luscious set of golden locks, while guitarist Jeff Ling is showing his seniority…

Polaris – The Mortal Coil

Australian metalcore scene has been in a bit of a sorry state these last couple of years. The once burgeoning scene that gave us the likes of Parkway Drive, I Killed the Prom Queen and The Amity Affliction (when they were still good), has produced markedly less world class acts over the past half-decade or so. Maybe it’s just because I got older, but contemporary pack-leaders Northlane and In Hearts Wake—while fine for what they are—seem to lack the spark and excitement of those bands who emerged in the genre’s heyday during the mid-to-late 2000s. Maybe it’s also because the local scene has seen a pivot toward the more extreme realms of deathcore, with bands like Thy Art is Murder and Aversions Crown proving the country’s most remarkable exports of the modern era. Yet The Mortal Coil only goes to show that there’s still plenty of mileage left in the supposedly well-worn Aussie metalcore tank.

Hey! Listen To Our Hollow, Our Home!

While I’m usually the last to jump on any given bandwagon at any given time, I’m getting on this one while it’s fresh and hot. UK Metalcore upstarts Our Hollow, Our Home are one of a fresh batch of new acts splashing together the heartfelt musings of The Ghost Inside with the kind of metal assault that I Killed The Prom Queen deliver at a professional level. There’s enough of these acts around that the good ones can go unnoticed while the “meh”s of the crop get the limelight. This is not the case here. Jam this band and forever be thankful that their mixture of soaring choruses and bounce happy breakdowns is now plugged into your brain via me.