Tristan Shone's industrial doom project Author & Punisher is easily one of the most unique acts on the current landscape of extreme music; while many acts proudly identify as a "one-man band," Shone's array of handmade instruments and impeccable limb independence allows him to weave songs together by himself without relying on backtracks to get the job done, borrowing musical cues from the likes of Neurosis, Godflesh, and Helmet in the process. Leaning heavily into drone and doom on initial releases, Shone's musical palette and production know-how have broadened the dynamic considerably.
Music operates in cycles and waves, with the energy generated from one, feeding directly into another. This is one of the major ways that we see genres and styles achieve growth. One particular genre that we have seen outgrow its roots and reach with newly grown tentacles into ever-evolving styles is hardcore. Just look around at the number of sub-genres that include the affix of “core” to their names. In this piece we look at the bands who evolved hardcore in both subtle and major ways to arrive at what we now know as "metalcore." First, we take a look at some of the bands who were most directly tied to hardcore in its last iteration before metalcore truly came into being.
Hyborian, out of Kansas City, MO, don’t sound like a new band needing more polish on their debut release, Hyborian Vol. I. I was given this album with the description of “Mastodon worship” and that isn’t that far off base. The band cite High on Fire and Crowbar as influences and you can definitely hear the former in the guitar tones. The reality, however, is this band lies somewhere in the very narrow valley of the above influences particularly on opening track, “As Above, So Below”. They are able to harness that same thrash-y malevolence and driving power as they raise the curtain on this effort.
Helmet are legendary in the music scene, and have been making great music for the better part of 25 years. Ask any band in the hard rock and metal scene today, and you'll be hard pressed to find at least one ba... Read More...
Without using Google to assist and therefore name this bizarre phenomena, everyone knows what happens with any kind of cable. Whether it's a guitar lead, headphones or the plug for your blow up girlfriend, against the grace of all things holy that shit will tangle it self to death when no one is around to see it. This is actually relevant to MAKE. Pilgrimage Of Loathing is a lot like that. After the first few listens, this review was heading towards a pretty grim place - not grim in a positive light either. Like those headphones, over time the weaving of other elements contrived to paint this moody, riff heavy record into something infinitely more pleasing. Somethings really do just need time to breath and a second opinion.