Vaura – Sables

Of all the musical periods that have risen back into prominence, the ’80s have arguably enjoyed the most success back in the spotlight. Sure, we’re also seeing an influx of influence from ’60s/’70s singer-songwriters in modern folk, pop and rock, as well as some echoes of grunge resurfacing from the…

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Ceremony of Silence – Oútis

The murky and amorphous style of extreme metal that has taken root in the wake of acts like Gorguts, Portal, and Deathspell Omega has seemingly become the predominate driving creative force in the underground extreme metal zeitgeist in recent years. The emphasis on weird, Lovecraftian atmospheres has infected both black and death metal, with acts like Imperial Triumphant, Artificial Brain, Pyrrhon, and Dodecahedron, to name a few, land on year-end lists with wonky, dissonant riffs, and a flair for the experimental. The trouble at this point is that when working within such an esoteric sound, it becomes difficult to carve out a niche and break out from the pack. Up and coming bands, take note: murk chords and blastbeats aren’t cutting it anymore.

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Outliers // 2018

You’ve seen it. You’ve debated it. You’ve cried over it. But what’s done is done: Our list of the best albums of the year is behind us, and there is much rejoicing. But what about the albums we loved that didn’t make the final cut?

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Grind My Gears – The Infamous Transatlantic Grind Symphony

I love it when the three carefully selected acts I throw in this column all have an overarching theme that I didn’t realise until the very last minute, forcing my hand and ultimately ensuring the introduction I had previously written gets fucked right into the sea. Projects built over the Internet with friends, new and old – hence the title, I’m sorry but there is not a real Grind Symphony, yet –  the next few bands Grinding My Gears range from veterans raising their fists at the sky, electric pink violence, and a new act that might just have released my favourite ten minutes of music this year.

Death’s Vault // Master – On the Seventh Day God Created… Master

Last week we premiered the outstanding “Stand Up and Be Counted” from Master’s forthcoming thirteenth full-length Vindictive Miscreant. Now we take a look back at their long-forgotten second album, On the Seventh Day God Created… Master (1991)—a hidden gem, buried among some of death metal’s finest and most foundational records.…

Death’s Door – July 2018

Hello my Hellions, and welcome to Death’s Door. Don’t even bother wiping your feet on the mat this time around. The blood runneth over. What an absolutely insane summer it’s been for death metal. So great that we’ve had to eliminate a multitude of records from our monthly list because…

Imperial Triumphant – Vile Luxury

The fact we’re amid a death metal renaissance has been widely covered over the last several years, and particularly the last few months. Along with our usual monthly praises in Death’s Door, sites like Bandcamp and Toilet ov Hell have recently published odes to the modern crop of death metal ingenuity.…