Have a Nice Life – Sea of Worry

As important as first impressions can be, they’re often given more weight than they deserve. Lead singles often receive these types of extreme initial reactions, something exacerbated by the seemingly increasing number of pre-album tracks bands release these days. Sure, these songs can be a perfect outline for what listeners…

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Hashshashin – Badakhshan

After five years with the blog, there are a number of posts I still look back on fondly. My interview with Lachlan R. Dale still ranks among my all-time favorites for a number of reasons. First, and most obvious, was the ability to connect with the man behind two of…

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Feast of the Epiphany – Practicing Loss

Feast of the Epiphany is a unique project. The brainchild of composer Nick Podgurski – along with collaborators Andrew Smiley and Caley Monahon-Ward – the group merges the seemingly incompatible worlds of drone, folk, psych, prog, and ambient synth (among other things) into a curious, avant-garde blend. As if that…

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EXCLUSIVE PREMIERE: Worship at the “Shrines of the Wakhan” with Hashshashin’s Psychedelic Middle Eastern Post-Rock

With my current schedule being as tight as it is, there has to be something compelling about a release to warrant one of my verbose, 1,000+ word reviews; the days where I’d publish near daily reviews on Sputnikmusic during college are long since gone. This occasionally results in more of…

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Earth – Full Upon Her Burning Lips

The quintessential difficult decision is almost always a “lesser of two evils” situation. In music, this typically manifests in an artist’s path forward; do they forge ahead along the charted path, or divert into untrodden territory? We can look at bands like Opeth, Kayo Dot and Ulver as examples of…

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Zvi – Deer Pink

Sometimes music critics can benefit from adhering to the notion that “form follows function.” It’s an abstract use of the bauhaus principle, but one which feels especially relevant in the modern music landscape. We often slather genre tags on scenes and artists that are growing more and more stylistically agnostic,…

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