Death’s Door – June 2020

Welcome once more to Death’s Door, Hellions. Wipe your feet on the mat and pull up a bone throne. Death metal had one doozy of a month in June. Every time I write one of these my initial thought is to comment on how this month has surpassed each subsequent…

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Aversions Crown – Hell Will Come For Us All

Deathcore isn’t dead. You may wish it was, but if the much-maligned subgenre’s output over the past few years has been any indication, deathcore on every level is alive, well, and thriving. Staples like Fit For An Autopsy, Thy Art Is Murder, Infant Annihilator, Carnifex, Despised Icon, and Whitechapel have…

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193 – Sexual Doorknobs

Heavy Pod Is Heavy Cast! This week we talk about the live stream by Code Orange, then new material by Sutrah, Svengahli, Black Crown Initiate, Scarab, Lychgate, and Aversions Crown. Then, Ori and the Will of the Wisps and Altered Carbon. Enjoy!

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Polaris – The Mortal Coil

Australian metalcore scene has been in a bit of a sorry state these last couple of years. The once burgeoning scene that gave us the likes of Parkway Drive, I Killed the Prom Queen and The Amity Affliction (when they were still good), has produced markedly less world class acts over the past half-decade or so. Maybe it’s just because I got older, but contemporary pack-leaders Northlane and In Hearts Wake—while fine for what they are—seem to lack the spark and excitement of those bands who emerged in the genre’s heyday during the mid-to-late 2000s. Maybe it’s also because the local scene has seen a pivot toward the more extreme realms of deathcore, with bands like Thy Art is Murder and Aversions Crown proving the country’s most remarkable exports of the modern era. Yet The Mortal Coil only goes to show that there’s still plenty of mileage left in the supposedly well-worn Aussie metalcore tank.

Deathcore’s Not Dead (Yet!)

Last week, Invisible Oranges made a very good case for the death of deathcore citing the absolute disasters that Suicide Silence and Emmure put out this year, the diminishing commercial success of the genre, and the disappointing follow-ups of some of the genre’s most promising acts. To be clear, there is no defending Suicide Silence and Emmure, but there is more to deathcore’s story to be told in 2017 and beyond.

An Interview with Andy Marsh of Thy Art Is Murder

As you may have noticed, over the past month or so we’ve been interviewing a series of Australian artists, and we’ll continue to bring those to you this month. Today we’re lucky enough to be joined by Andy Marsh, guitarist in Australian deathcore outfit Thy Art is Murder. The band have been making waves on the international scene for some time now and are one of Australia’s more successful exports. Vocalist CJ McMahon has recently reunited with the band and a new record is on the way, so we spoke to Andy about that, their split EP with Fit For An Autopsy and The Acacia Strain (available here), Australia and more. Enjoy!

63 – How Is This Train Still Going?

Do you like deathcore? My condolences. Oh, I’m just kidding. There are some good bands in the genre. On an unrelated note (truly), there’s a new Within the Ruins song and a playthrough as well. Also, Born of Osiris are redoing their debut plus a new song, and the new Aversions Crown is great. We also discovered some more Season of Mist stuff, namely Replacire. Nergal of Behemoth’s new project Me And That Man is, well, interesting. Then we get incensed about people getting incensed about bands applying new funding and marketing models. Then we discuss why vocals are the main off-putting thing for a lot of people, and on that note, how avant-garde bands aren’t really that avant-garde. Enjoy!