Port Noir – The New Routine

By the time a band reaches their third album, it is not unreasonable to have a certain set of expectations about what it will deliver. Sometimes, the band will stumble and fail to meet them. Others will rise to the challenge and comfortably surpass them. And a third group, to…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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The Anatomy Of – Stephen Taranto

It seems as if the dubiously titled nu-prog has been slowing down over the past two to three years, at least when compared to the onslaught from the genre that we experienced in 2014-2016. However, the collective imagination around the sound still seems to be there. Something about the unabashed…

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Death’s Door – April 2019

Welcome once more to Death’s Door. Wipe your feet on the mat and pull up a bone throne. We’ve got some quality, nasty-ass albums to cover. I can’t shake it, though. This year just feels less substantial than 2018 did in regards to death metal. It’s not that there haven’t…

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Doomsday, April 2019

Greetings unto thee, heaviest of Heavy Bloggers! Hopefully, the majority of you have emerged from your wintry dens of protection and gotten some sun on your bodies. Maybe you even enjoyed that special holiday in April that doom dudes are really into. I’m speaking, of course, about Earth Day. What…

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Hey! Listen to 99% Cobra!

In recent years, the city of Hull (a port on the north-east coast of England) has been a surprisingly fertile breeding ground for various flavours of angry bands. From the ugly noises of Black Tongue and Mastiff, through the chaotic hardcore of the very greatly missed The Colour Line, past…

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