Psycroptic – As The Kingdom Drowns

Our most recent encounter with Tasmanian tech death band Psycroptic saw the four-piece shift gears for the second time in their career. Where the band’s preceding releases demonstrated a groove-focused style of death metal, 2015’s self-titled release pivoted towards a more overtly thrash-influenced look — and further away still from the maniacal…

Death’s Door – September 2018

Given the nature of these columns, it might seem counterintuitive to include a subpar album among our selections for the month. That’s why I’ve accosted this intro spot to say my piece about Deicide, and specifically their latest album Overtures of Blasphemy. Coincidentally, the same month these Floridian antitheists released their 12th…

Hey! Listen to Gardenjia!

Every so often an album arrives that changes the game. Think Ride the Lightning for thrash or Planetary Duality for American tech death. Fallujah’s The Flesh Prevails had a similar impact within its sphere of influence, with other bands quick to adopt various elements of Fallujah’s sound into their own.…

Hey! Listen to Fleshmeadow!

December is a shocking month to release music in. If you’re thinking about doing so, don’t. Most publications have already settled on their end-of-year list, and if they haven’t been published yet they’ll be coming soon. Music journalists are going into shut-down mode as they give themselves some time off and try to recover from the mountain of listening they did in preparation for their end-of-year list. Listeners are on holidays and are enjoying their time off with loved ones. If they’re listening to music it’s going to be their personal favourites and not some new record that’s dropped. What this all means is that albums released in December are likely to get lost, falling into an abyss from which escape is near-impossible even for those with a formidable PR machine behind them. When you’re independent you’ve almost got no chance. That’s my theory for how an album as great as Fleshmeadow’s debut Umbra slipped through the cracks in late 2016 and why they’re still a largely unknown quantity. But we’re trying to fix that because these blackened death metallers are ready to rip your face off.

Hadal Maw – Charlatan

Hadal Maw have been one of the most promising acts to emerge from the tech death underground in recent years. They’re also one of the most frustrating. The Melbourne outfit seem forever poised upon the precipice of greatness. However, now two-and-a-half albums into their career, it’s starting to seem like…

Imperial Triumphant – Vile Luxury

The fact we’re amid a death metal renaissance has been widely covered over the last several years, and particularly the last few months. Along with our usual monthly praises in Death’s Door, sites like Bandcamp and Toilet ov Hell have recently published odes to the modern crop of death metal ingenuity.…

EXCLUSIVE PREMIERE: Go Beyond the Reach of the Flame with Hard-Hitting Death Metallers MICAWBER

Just this past Friday our resident overlord Eden reviewed Beyond the Reach of the Flame, the new release by American death metal band MICAWBER, and he thought it “plays all the right moves” and “has this immense flow to it”. Well, today you get to hear exactly what he’s on about as we premiere an exclusive stream of the whole record before its May 25 release date! Check it out below, and read on about what to expect after the jump.

Alkaloid – Liquid Anatomy

Let’s take a deep breath together before we start; this one is a doozy. Breathe in. And out. OK, now we can get going. Do Alkaloid need an intro? They shouldn’t, at least not in Heavy Blog circles. Just in case you’re somehow unfamiliar, we’re talking about the supergroup to end all…

Death’s Door – April 2018

Welcome to Death’s Door. Wipe your feet on the mat and sorry for the general disarray, the world made a mess on its way through here. That’s right. THE WORLD. Dark Lord, that place is nuts. I genuinely don’t understand it. Kanye loves Trump (re: himself), people are getting shot…