Into the Pit – Thrashin’ Through 2018

Look, I know my column is filled with super subjective opinions. I write for a music blog, I get to do this. I can troll the comment threads as good as any of them! I just choose to use my skills for the power of good. And we’re talking internet good, so being snarky and borderline mean-spirited for the sake of a really cheap laugh I don’t deserve.

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Death’s Door – September 2018

Given the nature of these columns, it might seem counterintuitive to include a subpar album among our selections for the month. That’s why I’ve accosted this intro spot to say my piece about Deicide, and specifically their latest album Overtures of Blasphemy. Coincidentally, the same month these Floridian antitheists released their 12th…

Revocation – The Outer Ones

Nothing can compare to the nuttiness that can be tech death. Blast beats plus virtuoso riffing is simply candy to the ears. The only problem, if it can even really be defined that way, is that tech death is rarely “dirty”. I mean that in the way that old school death metal or thrash bands can be dirty. Playing things a little looser and dialing back on the production qualities while also turning up the distortion is very rarely in the playbook for tech death bands. Fortunately, the fans of dirt have Revocation, a band that consistently blurs the lines between thrash and technical death metal. The Outer Ones is a great example that bands can play things a little loose while also being technical masters of their instruments.

137 – Spank Bank

Heavy Pod Is Heavy Cast! This week we are back on track! Bringing that beat back! We had a good time discussing the not-so-real nu-metal revival (thanks to a new Bring Me The Horizon song), the controversy about Michael Jackson’s posthumous music, Hellenic black metal, Rivers of Nihil’s Apple Music exclusive…

The Anatomy Of – Ultra-Violence

It hasn’t been too long since we told you about Turin’s Ultra-Violence, a band approaching thrash metal from a clever and convincing perspective. The secret to the formula was injecting it with plenty of heavy metal influences, found on emotional outros, killer bass lines and larger than life choruses. Seeing as the band hail from what we’d consider a “musical periphery” and don’t exactly conform to many of the habits of the more mainstream and settled scenes of metal, digging into their influences presented us with a tantalizing opportunity. And thus, we are proud to present to you today a host of interesting picks from Loris Castiglia (vocals/guitars).

Reprisal – None Survive The Sun

In order to understand why this Reprisal album is great, we need to break down its elements and try to understand the relationship between death metal and thrash metal. The genres are incestuous in their origins, with death metal borrowing more from its younger brother, thrash. So let’s say, for…