Thrown into a fit of rage. Your blood starts to boil. Your head bangs and the riffs are smashed against whatever part of your brain makes you a metalhead. Ushering in decades of death metal influence, from the seamless slams of Devourment to the standard tremolo pick death metal riff (you know the one), the hardcore band of old washes away against the new death metal landscape Homewrecker has presented. Extinction By Design sees a band not graduate from hardcore, but rather shift gears in the same sonic vehicle to come into their own. This transition has long since been on the horizon. Their incredible mix of powerviolence, hardcore, death metal and grind on Worms and Dirt, and the similarly sounding Circle of Death slowly built towards this death metal iteration of the band. This change was even more evident when we consider that side project Scorched are OSDM worship and splits albums with similar new death metal acts such as Gatecreeper. Th question, however, remains: does this album pay off by going all in on death metal ? Is this even the same band and is their new sound, well, good?
These posts are written by: Cody Dilullo
Metalcore, particularly the progressive iteration, is a dead scene. There’s plenty of support for the genre, but most bands have broken up, diversified or remain relevant but hardly influential. Most fans of progressive metalcore get by on a few releases annually and spinning old gems of the genre. Today however, we’d like to introduce you to Raptorbaby. Raptorbaby have recently put out an album titled Citadel and it’s chock full of the proggy metalcore that long time fans will find nostalgic, as well as travelling into some unfamiliar territory. Raptorbaby manages to throwback to early Sumerian Records style of metalcore and deathcore as the foundation for their sound. You can catch some Kezia-era Protest the Hero influence as well. But this isn’t just a rehash of a genre once thriving. It’s an exceptional homage to that era of music, but it also has plenty of tricks up its sleeves too. Let’s dig in.
How many black metal bands in the past have proven to be truly progressive, innovative or even avant garde? You might find several bands that fit that niche. Even some big acts in black metal could be included under the Progressive black metal umbrella, such as Enslaved and Ihsahn. Let’s turn our attention to Black Hate now. Hailing from Mexico, the promising group have released an album that pushes the “black metal” label in directions seldom seen. With Through the Darkness we have an album that breathes new life into tired black metal tropes and dares to stand on it’s own. So what do they do differently that sets them apart from their peers? What can we correlate Through the Darkness with to find out what makes it unique?
As time goes on, more and more boxes are checked off when it comes to metal. Initially, something extreme would come into fruition and explode. With a plethora of new inspiration and plenty of unexplored material, genres like black metal could cultivate innovative sounds for decades. We’ve seen black metal be a counterculture to thrash and death metal. Then we’ve seen it start to get incorporated into the things it stood against such as grandiosity and ambiance. Then when it came for the third and fourth wave of black metal bands to start making music, an entirely new breed of black metal band was born. Black metal unto itself, dabbling in atmosphere and venturing into entirely different aesthetics and even forgoing the notions of metal. But what happens when you try to create Black Metal with entirely different sonic elements?
Canadian darlings of metal. From rebellious teens skipping school to do interviews on Much Music, to the trailblazers of monetization and fan service, Protest the Hero are one of the most celebrated bands here at Heavy Blog. Ever since the blog has been founded, we’ve been following their history, progression and growth. It’s safe to say that of the latter, they’ve had more than many other bands in the scene; constantly wrong-footing their audience and themselves, indulging in new directions and approaches, Protest the Hero are one of the most varied bands in metal today.
That being said, a bird’s eye overview of their career might garner us more insight than living their twists and turns in the day to day. By zooming out of the nitty gritty, we might be able to trace a path, an intention or a trajectory from what might, otherwise, be construed as “simple” experimentation. Will we be able to do that or shall the evolution of Protest the Hero remain helter skelter? Join us below and let’s find out!