157 – Slam Jam

Heavy Pod Is Heavy Cast!This week we have regular host Cody, and we discuss a bunch of random stuff. Plumbing, Slam as a genre, Periphery and the future of djent, the Lords of Chaos movie, then some cool people time, specifically a discussion on TV budgets and the value of premium TV versus network TV. Enjoy!

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154 – Bad Things Are Good Again?

Heavy Pod Is Heavy Cast!

We’re back after the break, and we’ve got a lot new music to complain about! Namely Periphery, Numenorean, Shokran, In Flames, Fallujah, East of the Wall and Aenimus! Also this cool like Mastodon live show with Scott Kelly, then cool people time with Apostle, Punisher Season 2, Star Trek Discovery Season 2, The Bureau, and Apex Legends. Enjoy!

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Monuments – Phronesis

If there were ever to be a ‘Big Four’ of modern Djent, then Monuments would be one of them. Probably alongside Tesseract, Periphery and Vildhjarta, if you ask me. However, I think we can let those who care about that sort of thing argue about who the precise members of…

Circles – The Last One

It’s hard to remember, but Circles were once considered at the forefront of the tech-metal/djent explosion that took place around beginning of the decade. The band’s name was once frequently mentioned alongside the likes of Tesseract and Periphery. Yet, while they’ve remained a frequent feature on the Australian live circuit,…

Hey! Listen to Andy Hauck!

The saddest thing about progressive music is how much of it sounds the same; in a genre that has experimentation and innovation baked into it, you’d expect to find more people taking risks. Alas, the tropes of the genre have solidified well and good, pretty much staying the same as they were at the end of the 90’s, when the genre had its heyday. Nowadays, a lot of the interesting stuff has been excised from progressive metal and into other genres; it’s almost as if, once you reach some point of innovation, you find that you’ve moved on from the genre. That’s why it was so refreshing for me to find out about Andy Hauck, a musician from Nevada, of all places. His take on progressive metal draws a lot of inspiration from artists like Devin Townsend and Periphery, channeling plenty of modern progressive metal into his sound.

131 – Can’t Go Downhill If You’re Already At Rock Bottom

This week we’re super enthusiastic to bring you the contents! All of it. Specifically, Akon’s cryptocurrency haven, Tidal’s lawsuit, Michael Keene’s and The Faceless’s troubles, Cavalera Conspiracy doing a Sepultura throwback tour, Lamb of God in sign language, the new Obscura album, Periphery’s new label, Mike Shinoda’s new video, Antisoph, Shylmagoghnar, and Ghostbound. Then, cool people time with Westworld and a bunch of roguelikes. Enjoy?

118 – Blame Eden Somehow

The last time I didn’t put links to news stories in the description was over a year ago, let’s see if people will still leave passionate comments asking for the links back again. No, this is totally not an attempt to bait people into increasing our facebook engagement. Anyway, this week we talk about Spotify’s legal woes as outlined by The Verge, their upcoming IPO, and their launch in Israel, which Eden is not very happy with. Also Sigur Ros’s tax-evasion-but-not-actually story. Then when we start talking about Misha of Periphery’s recent comments about how Periphery alone doesn’t make enough money to be sustainable and Ultimate Guitar’s clickbait headline about it, it turns into a full on discussion about music as business. Then we talk about Fallujah’s teaser, the new Rings of Nihil album, and the upcoming Alkaloid album, and the passing of Wormed’s drummer. Then cool people time with Assassin’s Creed: Origins, Star Trek: Discovery, and Netflix’s Disney’s Marvel’s The Punisher. Enjoy!

Cabal – Mark Of Rot

At the rate things go in and out of fashion these days, small outcrops of tonally similar artists will always be around either too early or too late for their big moment. Not their fault. Fans will turn on bands and whole genres quicker than a Trump tweet turns into a meme. Cabal aren’t in or out of vogue, but the symphonic, snail pace beatdown sound definitely has it’s moments. The Danes drop tune their strings and slow down their chugs to an almost sadistic tempo, diving in and out of djeathcore tropes and a handful of clichés too. And that’s okay, Mark Of Rot is interesting enough to not turn off after the first of many bass drops.