Honestly, Clear is probably my favorite release from Periphery. It was really refreshing to hear them connect to all the different sides of what makes up their musical palette. An especially great treat was Spencer Sotelo’s “The Parade of Ashes”; it was clear that Sotelo has a real passion for pop metal and everything it entails. His voice also works really well with that kind of influence. And, lo and behold, we now have a full release on which Sotelo really lets that passion shine through. Endur is its name and it sounds like what would happen if Michael Jackson, Nine Inch Nails and synthwave all had a horrific teleportation accident a la The Fly. Head on below for a taste!
In 2015, metalcore pioneers Veil of Maya released their fifth album Matriarch. It was their first record with clean vocals on it, courtesy of new vocalist Lukas Magyar. Depending on who you ask, the injection of this new blood either reinvigorated the group, poisoned them, or worse, made them sound like a Periphery clone. Whether…
Australian metalcore scene has been in a bit of a sorry state these last couple of years. The once burgeoning scene that gave us the likes of Parkway Drive, I Killed the Prom Queen and The Amity Affliction (when they were still good), has produced markedly less world class acts over the past half-decade or so. Maybe it’s just because I got older, but contemporary pack-leaders Northlane and In Hearts Wake—while fine for what they are—seem to lack the spark and excitement of those bands who emerged in the genre’s heyday during the mid-to-late 2000s. Maybe it’s also because the local scene has seen a pivot toward the more extreme realms of deathcore, with bands like Thy Art is Murder and Aversions Crown proving the country’s most remarkable exports of the modern era. Yet The Mortal Coil only goes to show that there’s still plenty of mileage left in the supposedly well-worn Aussie metalcore tank.
Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.
Sydney’s Polaris have quickly become one of Australian’s most promising acts. The melodic metalcore crew certainly aren’t reinventing any wheels, but the sheer vigour and precision songwriting they bring to those templates previously laid down by the likes of Architects and Periphery render them entirely refreshing nonetheless. The band have just announced their debut, full-length album, The Mortal Coil, which is set to be released in November, and if the two singles they’ve release off the album so far are anything to go by, it’s going to be an absolute rager.
Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!
Wow, both Eden and I are together again! And it’s a long episode! It’s like back in the old days. This week we have some news, some new music, some old music, and some other random stuff. Spawn of Possession call it quits, Nolly leaves Periphery, Hip-hop/R&B has surpassed rock, Trent Reznor puts his foot in his mouth. Then we have stuff from Trivium, Dyscarnate, First Fragment, Primus, Caligula’s Horse, Adimiron, Ne Obliviscaris. We talk about Fractal Cypher, and Roadrunner United and Nuclear Blast All-Stars. Finally, cool people time regarding Pyre, PUBG, Total War, and more. Enjoy!
By the way, the teaser for the NYN album Entropy: Of Chaos And Salt is finally here, so check it out!
Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.
Icaria remembers to have fun and, thus, we are fortunate to have an exclusive stream of their upcoming debut album, Transcendent, here on Heavy Blog Is Heavy. This five-piece progressive metal outfit from Atlanta packs a serious punch with their flashy compositions, tight production, and relentless intensity. The band sounds like a cross between Periphery on their most recent poppier albums, Coheed and Cambria, and just a hint of shreddy power metal. It’s an absolute blast. There’s nothing mind-bending here and nothing that will change the face of progressive metal but that is not a bad thing. Icaria is making thoroughly enjoyable metal that has a lot of pop appeal but still maintains its musical integrity and complexity.
Another homegrown project we are immensely fond of comes straight from our dear editor-in-chief, the aforementioned Eden Kupermintz, and our good friend Greg Greenberg (Seven Circles), who, with guitarists Doug Van Bevers and Nick Maini and drummer Travis Orbin (ex-Periphery, Darkest Hour) form Instar, a beautiful fusion of post-rock, math-rock, jazz/metal fusion, and spoken word. Those who are at all familiar with Eden know that he is an ardent lover and connoisseur of sci-fi and a writer himself, and he lends his own illustrative prose and mellifluous voice to give the project a distinctly cosmic post-y feeling. The last time we mentioned the band on this site it was to recommend their debut EP, which featured Eden on one track and other guest vocalists on the other two. Eden has since joined the project as a full-fledged member, and if the lead track from their upcoming album Ex Nihilo Cycles “Stepping Stones” is any indication, Instar is prepared to take an enormous leap for their first full-length release.