grindcore faces yet another renaissance as it moves further into this new territory, driven by bands such as Ed Gein, Full of Hell, and Column of Heaven, where it is almost the most coveted form of artistic expression in extreme music. For these acts’ aesthetic, poetry and more weave into their frightening sonic assaults, marking a strikingly human approach to a genre that once sat so far out of boundaries it was almost untamable. And, finding their place in this new wave of artsy-fartsy (said with all the love in the world) grind band’s is Philadelphia’s own Die Choking, a band who prides themselves on their relentless blend of death metal, grindcore, and crust leanings.
Blackened hardcore is the pumpkin spiced coffee of extreme music. It’s seasonal and has become evocative of a movement, much like the over priced, sickly sweet beverage. Unfortunately, much like coffee fanatics, extreme music nuts don’t all band round blackened hardcore with the gusto they might display for say, post black metal. “It’s too obvious”, “it’s too derivative”, they may cry. Well, fuck ’em. If one cannot appreciate a twisted, cutting dose of blasts and low register riffs then one can go fornicate with their own damn self. And so there is Sunlight’s Bane: the antidote for seasonal commercialism and everything else probably wrong with the world.
Sweden’s Vardagshat don’t fuck around. Sharing many members from the fantastic Totem Skin, Vardagshat take a sleeker and simpler approach – play loud and fast crust. They don’t spoil their sound by chucking it into the blender with five other totally unrelated genres, but instead follow the lead of fellow…
After so much time (let’s be honest, 20 years is a long time for a rock band), our expectations for a band change. On one end of the spectrum you have bands like Metallica, suffering from intense overreaction (both good and bad) with every release since ReLoad. On the other, bands like The Dillinger Escape Plan consistently release quality material, but fans and critics lull into indifference because it’s business as usual. In this writer’s opinion, Every Time I Die have been cruising on this end of the spectrum for the entirety of this decade, and that’s just fine; but admittedly, there’s a point where this par for the course becomes a bore. Buffalo’s finest already have one of the most consistent discographies of any modern hardcore band, and they appear to have done it all, and most importantly, done it on their own terms. From humble punk rock beginnings, to mild enough success to warrant touring with Ozzfest, to Guitar Hero pseudo-stardom, to a sort of reinventing of their own sound, to refining that sound with “wild experiments” and “throwback” sounds, what’s left for a band to do?
For all of it’s misgivings and basic fuckery, 2016 has been kind to fans of extreme music. Whatever the fetish, lovers of heavy/nasty/fast/loud shit have been utterly spoiled with grind, doom, sludge and death. Everything in between too. Nihilism, the second full length from Dutch party violence posse Teethgrinder, doesn’t necessarily sit well in any of these genres because it flirts and fucks with them all. No avant-garde, no gimmicky frills and no masters. Falling just short of the best of the year because of individual hair splitting sessions doesn’t mean this isn’t a fantastic outburst of angry, rasping noise.
[Note: the following article is satirical, as is the song! Cyborg Octopus are actually an up-and-coming Californian progressive metal band who are re-releasing their debut album, Learning To Breathe, on November 25th via Apewhale Entertainment. If you’re curious about the band’s actual sound, check out their single
Welcome to another Heavy Chat, and today we’re going to take things into hardcore territory. Jimmy and Spencer had a little gab about a Boston hardcore band we covered a while ago called Nihil, who are set to release their debut album Foundation in November. So without further ado, let’s dive right in!
Hardcore will never die. It’s just a fact. While it may never be the same as it was in the beginning of its tenure in the music scene, it will never stop. There are just too many bands determined to do great things in the genre, and too many solid…
It’s no secret that a good many of us on the Heavy Blog staff enjoy Converge. Since 1990, these guys have been making some of the best hardcore out there, consistently pushing their genre forward in ways nobody could have imagined. Last Sunday (September 4) marked the fifteenth anniversary of the band’s seminal release Jane Doe; an album that is still regarded today as legendary and incredibly influential on the metalcore/hardcore scene, and I thought it apt to say a few words about this album.
Brian Izzi is the guitarist of the legendary hardcore outfit Trap Them, who through the years have decimated fans with such great releases as 2011’s Darker Handcraft and 2014’s Blissfucker. Their latest album Crown Feral is due out on September 23 on Prosthetic Records. So, you’re in Boston, and Ryan [McKenney, vocalist] is in Seattle; how does…