The word “savage” gets thrown around in conversations about extreme music a lot. Honestly, too much. Way too much. So much in fact that the word itself has begun to lose any and all meaning. You know the argument: If everything is savage, nothing is. Because pulling out the thesaurus…
Lifelink comes to us courtesy of Philadelphia record label, Innerstrength, having honed their particular take on metallic hardcore on their second release, Love Lost. The EP heavily features the guitar talents of Josh Brown and Kamran Oskouie, some might even say it relies on them. The track we’re premiering here, “Lost”, shows roots similar to those of Architects, Volumes, and Novelists, with some nicely worked exchanges from Brown and Oskouie as they switch from mid-tempo moshes to trading off leads amidst Dillinger-esque chords. Meanwhile vocalist, Luke Blanchard, stays firmly in the pocket between a growl and a yell which might belie the range he has developed since the band’s last release, Nothing, that came out in 2015.
Sydney’s Polaris have quickly become one of Australian’s most promising acts. The melodic metalcore crew certainly aren’t reinventing any wheels, but the sheer vigour and precision songwriting they bring to those templates previously laid down by the likes of Architects and Periphery render them entirely refreshing nonetheless. The band have just announced their debut, full-length album, The Mortal Coil, which is set to be released in November, and if the two singles they’ve release off the album so far are anything to go by, it’s going to be an absolute rager.
Hey everyone, welcome to a new feature we’re gonna try out here at Heavy Blog. Now, we may all seem like total loner shut-ins based on the amount of new music we devour both collectively and individually on a weekly basis, but a good chunk of us are actually in…
Music operates in cycles and waves, with the energy generated from one, feeding directly into another. This is one of the major ways that we see genres and styles achieve growth. One particular genre that we have seen outgrow its roots and reach with newly grown tentacles into ever-evolving styles is hardcore. Just look around at the number of sub-genres that include the affix of “core” to their names. In this piece we look at the bands who evolved hardcore in both subtle and major ways to arrive at what we now know as “metalcore.” First, we take a look at some of the bands who were most directly tied to hardcore in its last iteration before metalcore truly came into being.
We’re at a point where a hot shit, flavour of the month band can become old hat moments after they are touted as the next big thing. It’s so easy to lose track of who’s who, what’s hot and not and generally what the hell is happening in music and it’s always gonna be impossible to hear everything good out there. That’s where Heavy Blog, and others like us, come in. We have our core features focusing on specific genres—what’s up Grind My Gears fans?!—but today I’m lumping together bands who’s only similarity is their shared suffix. They’re all “core” in some form or another. To make things more digestible, I’ve even added a strapline for each, covering their sound in one fantastically humorous sentence. Please, enjoy and rock responsibly.
It’s hard to believe that there was a time before the steady stream of blasé lyric videos, but at the turn of the millennium, music video purveyor MTV had to “bring back” the music video. The artform was essentially replaced by trashy reality television and cartoons by the late 90s, but eventually came MTV2 – a quality sequel (well, for a few years) nobody really deserved. So I guess it only made sense that they also resurrected their metalhead favorite from the 80s and 90s soon thereafter – Headbangers Ball. After all, this era had a ton to offer. The NWOAHM movement was all the rage, metalcore was hitting its stride, and melodeath was pretty much the coolest shit ever. Given that the combo of Kazaa and my dial-up setup wasn’t doing me any good – true story: I waited days (plural) to download Meshuggah’s Chaosphere only to find out that some jerk just relabeled of Neurotica tracks (some truly evil bastards out there), this couldn’t have been better timing for a dude who had recently gotten his license and began to fall in love with hanging out at the record store – the internet, for me, sucked for digging up new tunes.
One of the sillier things that ever became popular in metal and hardcore are “kung fu kicks” in the middle of mosh pits but part of why that ever even became a thing was because, generally, kids in the crowd were trying to come up with some kind of intense way to show their appreciation for the music while, perhaps, protecting their heads from flying fists and elbows. That said, it’s still dumb, though, that seems widely acknowledged by now and most who participate in do so with an awareness of how it comes across. However, it didn’t stop it from becoming a thing, especially in the metalcore world and beyond.
As a 39 year-old guy, I have a bit of a confession to make: I’m a huge mark for the band A Day to Remember. Whether it’s fair or not, I believe there’s a tendency to lump these guys in as a band for the younger set, namely the Warped Tour and Hot Topic crowd. However, I’m not going to spend a lot of time here talking about the kind of comments and judgments that get lobbed so often at this band. Rather, I’m going to tell you, and them, why I love this band.
It’s been five long years; five long years since Converge, the forefathers of emo leaning metalcore, have released music. That all changed last week, however, as the band put out a 7″ with not one, but two brand new tracks. They still remain slightly controversial, with some in the Heavy Blog camp dismissing them. Here at Grind My Tears, however, those tracks are nothing but pure gold and the exact music the band should release after a five year absence. It is for exactly that reason that those tracks will be explored in depth below, putting them under an intense microscope and examining their every detail.