Our staff has shifted quite a bit since we posted our first aggregate AOTY list back in 2014. From refocusing our content to implementing The Brooklyn Plan™ to publishing our 2017 AOTY list, our roster of contributors has fluctuated substantially in terms of numbers and genre preferences. This ebb and flow…
Death metal in the current era is unfortunately met with a divide among generational fans, effectively causing a bit of an old-head vs youth situation. If you’re just getting into the genre now, you’re probably brought into this world by bands such as Fit for an Autopsy, Thy Art is…
The word “savage” gets thrown around in conversations about extreme music a lot. Honestly, too much. Way too much. So much in fact that the word itself has begun to lose any and all meaning. You know the argument: If everything is savage, nothing is. Because pulling out the thesaurus…
There’s nothing quite like a great sandwich. Whether it’s cookies either side of creme, cold cuts stuffed in slices of bread or earnest, driving hard rock with heart stuck between two slabs of dirty, bludgeoning death. We’re going with the latter on this weeks Celtic Connection with Scottish and Irish produce, as per. It tickles my pickle that I get to cover three bands with nothing shared other than their red haired heritage. Sure, the two Scots acts may share the same rough area but they couldn’t be any further apart in terms of taste, style and fans. Throw in some low end loving Irish folks and hey, we’ve got a party on our hands.
Only three albums into their career, the angry Aussies in Thy Art is Murder are a household name not only in deathcore, but extreme metal as a whole. The fourth album can be a tough place to be in for an established band, especially if your sophomore and junior releases are as good as Hate and Holy War. Though well-established and on the path to even more exposure and success, the band are still not immune to the possibility of dropping something that may not completely meet the expectations of their fans all over the globe and tainting their reputation of quality releases. Fortunately for those anticipating their senior album Dear Desolation, there is no disappointment to worry about. With this album, the band have dug their heels deeper into the dirt of what they do best and risen to the occasion by not only meeting the standards of previous albums but also setting new ones.
2017. As metal in the Internet Age continues to proliferate, its identity is in constant shift. Ideas about which genres mean what, the role of politics on music, the very fabric of the financial institutions which create the scene, all come into question as the barriers between fan, musician and business man collapse. And yet, despite of what alarmists might say to the contrary, great music is still being made across a wide variety of genres, inside and outside of the metal strata. That’s why these mid year lists are important; they allow us to more carefully consider the lighthouse releases thus far released during the year and the trends which they signify. When making this list, we attempted to consider truly stand out albums, which have something interesting to say about their respective genres, the artists themselves and the interplay therein. Thus, your mileage may vary. The idea of this list is not to be definitive or exhaustive. Indeed, such an effort would be inherently doomed to fail. Instead, this list attempts to present a facet into the trends running through our community as they manifest inside the Heavy Blog staff’s “collective taste”. As you read it, consider your own relationship to the insane amount of music and the ways in which you filter it. Perhaps we can offer our own alternative viewpoint.
Last week, Invisible Oranges made a very good case for the death of deathcore citing the absolute disasters that Suicide Silence and Emmure put out this year, the diminishing commercial success of the genre, and the disappointing follow-ups of some of the genre’s most promising acts. To be clear, there is no defending Suicide Silence and Emmure, but there is more to deathcore’s story to be told in 2017 and beyond.
We like to joke around here pretty constantly that the amount of quality music out there in the world for us to consume and critique is magnitudes more than we can possibly manage, that we are drowning in a sea of music and are suffering mightily for it. We are all the “Why can’t I hold all these limes?” guy.
Like it or not, a whole bunch of the staff at Heavy Blog “grew up” on deathcore in the mid to late 2000’s. Some love to admit it and some loathe to—some didn’t listen to it at all because they were clearly more well-adjusted to life and stuff. With a decade of deathcore now (well and truly) behind us, it’s probably an appropriate time to look at some of the genre’s most notable releases in that time. As it’s 2017, let’s start with 2007 (well done, mathletes) and the first full length from California lyric shirt pioneers Suicide Silence. If your favourite deathcore release came out in 2006 then sorry, look elsewhere.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.