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Tag Archive: Dimmu Borgir


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Victory Records have just done the unthinkable and signed the black metal band Erimha to their roster. This is especially odd coming from the label that have been shying away from “legitimate” metal acts and instead tends to sign more commercially viable scene/bro acts like Emmure, The Bunny The Bear, and Design the Skyline. What we’re talking here is a fanbase of kids with neon-colored mullets, ear gauges, and white dudes who have knuckle tattoos and think it’s okay to use the word “nigga” in reference to themselves. That label is now called home to a black metal band. That’s weird, right?

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starkill

Starkill (formerly Massakren) are a symphonic black/melodic death metal band hailing from Chicago. Their sound can be described as a mixture of old Children of Bodom and Dimmu Borgir. They had an EP out under their previous name, but they got picked up by Century Media and now they’re about to release a full length titled Fires of Life under their new name. They’ve released a video of a song from said album titled “New Infernal Rebirth”. It’s quite fun, reminiscent of the old Bodom albums. You can check it out below. Fires of Life comes out on the 30th of April on Century Media. If you like oldschool Nordic metal, then it should be a treat. Also, you can check the band’s previous video for the title track of the album after the jump.

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deadite

O hay, it’s The King Of Procrastination! I’ve been letting the world of music pass me by the past couple of months as I’m creating my website and writing my horror novel and almost let the top of the year list slip by me. Luckily, Riddick the Cat called me up yesterday and told me to get the hell to work with this because I’m a “better interest to him than the human he lives with.” So there’s that. But, why shall we be bound to doing a list in a multiple of five? “Nay,” says Deadite, “Let’s beat the system and do eleven top albums of the year!” So dark, edgy, and kvlt.

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Naglfar – Téras

Naglfar

Téras

01. Téras
02. Pale Horse
03. III: Death Dimension Phantasma
04. The Monolith
05. An Extension Of His Arm And Will
06. Bring Out Your Dead
07. Come Perdition
08. Invoc(H)ate
09. The Dying Flame Of Existence

[03/26/12]
[Century Media Records]

Black metal is a curious beast. I didn’t even think to delve into this misunderstood genre of metal until I heard Mayhem’s debut record and the most recent release from Krallice, which I reviewed. It really is more of an acquired taste; something that the palate must be prepped for. When I first discovered metal, I was into Metallica and Iron Maiden, not Dimmu Borgir and Burzum. However, when your first taste black metal on a palate that is prepared for it, you will receive a healthy, hearty, and heavy treat.

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Norwegian progressive black metal giants Borknagar never fail to impress. Looking at the lineup, they have Vintersorg and ICS Vortex of Arcturus/Dimmu Borgir on vocals, and a killer back catalogue, so it shouldn’t be surprising that their forthcoming new album Urd is sounding great already.

Metal Hammer Germany have premiered a track called ‘Roots’ on their website, which features the majestic voices of both aforementioned singers. The song is proggy and black as all hell, and although it’s not the most exciting song ever,  it’s fairly solid and has served its purpose of getting me excited for the album. Exactly why we have teasers like this, no?

Urd is due out March 26th on Century Media Records. Hail Borknagar!

- NT

Wow, this year was an amazing year for metal. There were many great technical and progressive albums, which is what I consider to be my ‘main’ genre. A lot of my favorite bands came out with excellent albums, and there were a few surprising newcomers. Some of these I’ve reviewed myself and given a great score, so it won’t be a surprise. Some of these I didn’t have the time to review, which was a shame. Anyway, without further ado, here is my list of top 20 of 2011:

Honorable mentions:

Tre Watson – Gravestones

The reason I’m not giving this an actual rating is because Tre is a close friend of mine, so I can’t be unbiased about this. It’s a really great EP, and especially the last track is a masterpiece. Definitely listen to this.

Substructure – Monolith

These guys just came out of nowhere. They do a great blend of Born of Osiris and The Contortionist, a.k.a progressive spacecore. The reason it’s not in my actual list is because it’s quite short and a bit derivative. It’s still a good listen though.

Empirine – The Great Excursion

These guys perform a technical/progressive death blend of Opeth, Obscura and Cynic. They’re pretty incredible, and we’ve covered them a few times, so you should definitely check them out.

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Xerath – II

Xerath

II

01. Unite To Defy
02. God Of The Frontlines
03. Reform Part III
04. The Call To Arms
05. Machine Insurgency
06. Sworn To Sacrifice
07. Enemy Incited Armageddon
08. Nuclear Self Eradication
09. Numbered Among The Dead
10. The Glorious Death

[05/03/2011]
[Candlelight Records]

Xerath‘s debut, aptly titled I, had all the watermarks of a fresh and promising young band. The main idea was on show quite clearly: juddering Meshuggah riffs set against orchestral parts that made even the most grandiose statements by Dimmu Borgir or Emperor seem a little half-hearted – but it all came in a package that was just a little rough around the edges; the vision hadn’t been fully realised yet.

Enter II. This Basingstoke quartet have taken a huge leap forwards in progression from the aforementioned 2009 offering and it shows most prominently in the song composition. I feel bad in admitting that I never thought they could come up with the grooves that end “God Of The Frontlines“or the djent-ish riffs showcased in “Machine Insurgency,” but I am incredibly happy to be proven wrong. On the note of djent, I think it’s fair to say that the sudden rise of the ‘genre’ (I use the term loosely because I know how easily it sets people off) has had an impression on the band. While not adhering to that sound entirely, they stay more true to sound of recent Meshuggah or even Gojira by steering clear of a lot of the pitfalls of the genre such as excessive clean singing and emphasis on melody.

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Arcturus – La Masquerade Infernale

Ever wondered what the soundtrack to a carnival in hell would sound like? Well, here’s your answer. Arcturus are one of the more unique bands to have come out of the Norwegian black metal scene. Now, don’t be put off by that label, in no way is this a black metal record. Even Arcturus’s first album, Aspera Hiems Symfonia, was barely black metal, containing a lot of avant-garde and experimental influences. By the time they got to making La Masquerade Infernale, their second album, most of that black metal tinge was completely gone. What remained is perhaps one of the most unique metal albums ever made, and its uniqueness is still evident even 14 years after its release. And of course, it’s a concept album.

 

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The Project Hate MCMXCIX

Bleeding The New Apocalypse (Cum Victriciis In Manibus Armis)

01. Iesus Nazarenus, Servus Mei
02. They Shall All Be Witnesses
03. A Revelation Of Desecrated Heavens
04. Summoning Majestic War
05. The Serpent Crowning Ritual
06. Bring Forth Purgatory

[02/22/11]
[Season of Mist]

With a name like The Project Hate MCMXCIX [That's 1999, for those too lazy to work it out - Ed.], I was lead to believe that these guys were just another brutal death metal band. How wrong I was; this is death metal with industrial influences, with both male and female vocals, featuring alumni from some great bands including Dark Funeral, Grave, Entombed, Torture Division and God Among Insects. Pretty impressive repertoire, but it’s far too easy to get caught up in past glories and forget the present.

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Deathspell Omega – Paracletus

Deathspell Omega

Paracletus

01. Epiklesis I
02. Wings of Predation
03. Abscission
04. Dearth
05. Phosphene
06. Epiklesis II
07. Malconfort
08. Have You Held the Fevers
09.  Devouring Famine
10. Apokatastasis Panton

[11/22/10, Season of Mist]

If you’re not familiar with Deathspell Omega yet, don’t kick yourself-NOBODY is familiar with Deathspell Omega. The mysterious French band never plays live, has no website, and have only given a handful of interviews in their existence. They are not interested in merchandising, commercializing, or self-promotion of their avant-garde brand of black metal in any way. They don’t care if you know who they are, in fact, they probably prefer if you don’t know who they are. Their music is for the select few who seek them out. It is not ideal for mass consumption. This is a refreshing change in an era when “black metal” bands like, say Dimmu Borgir and Cradle of Filth, are very interested in visibility and sales-see their commercialized symphonic take on the Norwegian formula, their comical videos, and outrageous costumes. Hell, Dimmu’s Galder is on the back of my Decibel magazine this month trying to sell me the Peavey 6505 amp. Now, that is not exactly a sellout move, but it doesn’t help his “black metal mystique“, you know? Deathspell Omega have no such problem, they require the listener to focus entirely on the art itself and not the people who create the art.

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