Set stage: 2004, Finland. Former Ensiferum frontman Jari Maenpaa releases his debut semi-solo album under the name Wintersun. Featuring a unique blend of power metal, prog, folk, symphony and black metal, this powerful album is met with wide acclaim. Two years later, the recording process for the follow-up begins, with a release date of 2007. The follow-up releases in 2012, and is split into two, with the second part being promised for later in the year. Five years later, the follow up is no longer coming, and Jari announces a new project with basically the same line-up. What the hell happened? Let’s take a look.
We’ve spoken about post-black metal a lot in the recent days and with good reason; it’s without a doubt one of the trends currently affecting the metal community. However, one of its least discussed aspects if how it bleeds into, and thus influences, the other genres of black metal. This osmosis can be heard on the new Downfall of Gaia record for example, a band that has never been too far from the post-black moniker themselves. Atrophy presents a further exploration of their sound which detractors might, foolishly, call “going soft”. It’s more productive, however, to understand Atrophy as an attempt to communicate with ongoing ideas and conversations within the sub-genre, sacrificing some of the hard hitting brutality of earlier releases for a more expressive and varied palette.
I really enjoy some good symphonic elements and occult references in a band’s music. The former, especially, is a favorite of mine. Ever since I heard Metallica and Dream Theater and Dimmu Borgir use live orchestras in their music, I’ve been a fan of incorporating the element into a band’s studio music. That’s…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made withtapmusic.netthrough your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Somewhere, in darkest Finland, three men have been busy stirring the doom metal cauldron. Stirring it with reckless disregard for what their experiment will do to any who lend their ears to it. Total. Fucking. Evil. That’s what’s been brewed up in that thick, crusty metal container. Vainaja are conjurers of the wickedest type; their penchant for the diabolical and the devilish coming to boiling point on this release.
At the end of last year I wrote about some of my favourite music videos that had been released over the preceding twelve months. It was fun and I’m going to be doing it more regularly this year. Like, every month starting from now. Now, I’m no expert in video,…
When it comes to experiencing new music, two things are certain: you can never judge a book by its cover, nor should you ever trust what the artists themselves say about their music until you’ve heard it for yourself. Underling — a Bay Area supergroup featuring members of Fallujah, Arkaik, and Battlecross — are proof enough of both of these rules, as their debut album Bloodworship looks like and is marketed as an atmospheric black metal record. Coming from a group of established death metal musicians, this should be somewhat of a departure on paper at the very least. However, when considering the record’s scope as a whole, Bloodworship is a far cry from the distant reverberations of Wolves in the Throne Room. It’s actually much more than that.
It’s amazing how much ground Emperor covered over the course of just four albums. From helping to pioneer black metal to introducing symphonics and progressive elements to the BM formula, there really aren’t many more important bands within the Norweigan scene, or even the genre as a whole. Back-to-Back classics In the Nightside Eclipse and Anthems to the Welkin at Dusk may be two of the best introductory black metal albums, as they make the harshest parts of the genre accessible without losing an ounce of immaculate songwriting prowess. We now welcome you to a different form of introduction, exploring six bands that have taken influence from Emperor, added their own unique, bold twists and churned out records that more than capably carry the torch onward into a world of textured symphonics and atmosphere. Head past the jump to enter our inaugural black metal FFO; there couldn’t be a better band to commence the frost and torment.
Welcome to our new monthly post, Editors’ Picks! In the recent two years, our editorial body has grown quite a bit: from basically two guys running everything, we now have around seven people managing the blog in an editorial capacity, including two (count ’em, two!) Editors in Chief. We thought we’d harness that unique body of editors and use their over-reaching perspective to shed light on specific releases each month. The way it works is simple: each editor gets to pick one album released in January (or in its proximity, as we just said). We write short pieces about them and link you to the album, allowing you to check it out yourselves. There’s no genre restrictions: expect to see some gnarly stuff on here as most of our editors have a very wide range of musical appreciation. Without further ado, let’s dig in into this month’s offering!
Heavy Blog Is Heavy’s Best Of series takes musical genres and categories and highlights our staff’s personal favorites. You can read more entries from this series here. There are three possible reactions that fans have when their favorite, long dead bands reunite for a comeback album. On the far ends…