De Lirium’s Order – Singularity

Metal is unequivocally a guitar driven genre. No matter what trend is taking hold amongst metalheads or what purists are latching onto; no matter what gimmick or innovation captures the scene. Guitar has always relied on electric guitars as its backbone. And the art of the guitar is extensive and…

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The Anatomy Of – Valence

I’ll be honest with you: I don’t really vibe with instrumental progressive music all that much. Like all your average Internet Metal Nerds, I used to listen to my fair share of the stuff; there’s something in the emphasis on technicality that appeals to pasty kids looking for an escape,…

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126 – Fraudal

Maybe it’s time to cancel the podcast? If the allegations of Tidal committing fraud are true, then our days may be numbered. Well, if they’re not, in the meantime, we have stuff to discuss. New material from Babymetal, Obscura, Aegaeon, and live Animals as Leaders. Then we discuss the titular story, and Spotify’s attempts at curation by “hateful content or conduct”. Finally, we talk about the amazing Extreme Meme Megamashup. Yes. Then cool people time with Arrested Development, Santa Clarita Diet, and more Infinity War, and Frostpunk. Enjoy!

Exclusivo ad absurdum: Stream Instrumental (Adj.)’s New EP

Australia’s musical scene seems to know no bounds, and, thanks to the talents and efforts of people like Lachlan of Art as Catharsis, they are spread to the outside world. Case in point: I have the pleasure of introducing you to the entirety of Reductio ad absurdum, the upcoming EP from Sydney trio Instrumental (Adj.). The three have made quite a few waves on the Internet when they released their surprising and fresh debut A Series of Disagreements. It was short, but it overflowed with clever musical ideas and precise execution. It was jazzy, progressive, aggressive, mathematical, and, most of all, I couldn’t get enough of listening to it.

EXCLUSIVE PREMIERE: Come Sit By The Fire With This SCHIERMANN Playthrough Of “Northern Lights”

In what will likely be our final premiere for the year, we bring you this subtly festive exclusive by progressive instrumental guitarist Chris Schiermann, better known by his project name in SCHIERMANN. Having just released his debut album, SCHIERMANN, you’ll get six tracks of delightful proggy goodness reminiscent of all…

Hey! Listen To Sea In The Sky!

Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!

Be Prog! My Friend or How I Learned To Stop Being Afraid and Love Comfort

The purpose of this post is not to give you a play by play description of the festival; this isn’t a show review first and foremost. The idea instead is to give you a feeling for what attending the festival is like, whether by describing the location, some of the shows, the overall air or even the food on offer. The purpose of this post is to see as many of you as possible at the next year’s festival. This institution is well needed in the metal scene and it’s a pleasure to be able to support it in my own way. There’s only one condition: you have to say hello next year if you do come. I’ll buy you a beer, promise. Let’s get to it, shall we?

Djent Was A Genre Full Of Great Debuts And Little Else

Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something  altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.