Some artists/bands are known for being able to make music that sounds huge. “Huge” in this case referring to music that has an awe-inspiring presence, as if it is either being performed in perfect sync on stages surrounding you in every direction or as if you were in a sphere of sound that encases your whole body. Music like this has a way of giving your ears a sense of depth instead of it being as cut and dry as left, right and center channel. With their last album, Peripety, the self-proclaimed Deathgaze group Kardashev showed that they wanted entrance into this particular section of the musical lexicon. With the release of their new EP The Almanac, they prove that they not only deserve to be included in this group, but placed close to the front of those who lead it.
These posts are written by: Ryan Castrati
In 2015, metalcore pioneers Veil of Maya released their fifth album Matriarch. It was their first record with clean vocals on it, courtesy…
When you try and cage what was never intended to be caged, a primal rage can be brought to the surface. Trapping an animal can lead to the unlocking of something deep inside that lets it know it was never supposed to be kept from its freedom. Though the vicious All Pigs Must Die are free to roam the hellscape of life, it would seems that they’ve found a way to channel this cage induced rage on their latest album, Hostage Animal. Their latest record is the sound equivalent of chewed, worm cage bars, sleeping in the blood on the floor of your cage that’s leaked from your teeth when you’ve gnawed on the metal for too long and being prodded endlessly by those who only seek to harm you.
Starting over is not the easiest thing in the world, but it does have its benefits. There is freedom in going back to the point of inception because there are no preconceived notions of what is to come. Even if people remember what came before, that was the past and this is the future, which stops for no one. When Vattnet, previously known to us as the post-black metal band Vattnet Viskar, lost one of their two founding members, they saw an opportunity to go back to the beginning and build from the ground up. Cleaving their band name in half, they looked toward the future and decided to make a self-titled album album that, in the words of guitarist Chris Alfieri, “we could listen to forever, even if no one else liked it.”
There’s an undeniable joy in watching something that has been preparing to pounce for so long finally take the leap. Where there was once stillness in the air, there is now a sense of urgency and the feeling of excitement. We as listeners should be thankful that we are not the ones on the receiving end of this violent lunge. The hunter in this case is singer-songwriter Chelsea Wolfe, while the prey is the art she presents to the world. With her newest work, Hiss Spun, we not only see Chelsea in the moment of her victorious pounce, but we also have the great fortune of consuming her kill.
There’s a great deal of irony in the latest album title of instrumental post-metal trio Sannhet. While their new album is called So Numb, it would seem that this is the most evocative song writing we’ve seen from the group to date. The emotions that this album can rouse from slumber deep within the listener are not just your simple “ooh’s” and “ahh’s” that come along with music that catch and impress the ear, but rather ones of blinding ecstasy and immobilizing sorrow. In crafting this collection of songs, Sannhet have taken the approach of the painter. The group uses every drum hit, bass plunk and guitar strum to paint a picture with textures and colors that are just as interesting and thought out as the work they comprise the entirety of.
Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!
Only three albums into their career, the angry Aussies in Thy Art is Murder are a household name not only in deathcore, but extreme metal as a whole. The fourth album can be a tough place to be in for an established band, especially if your sophomore and junior releases are as good as Hate and Holy War. Though well-established and on the path to even more exposure and success, the band are still not immune to the possibility of dropping something that may not completely meet the expectations of their fans all over the globe and tainting their reputation of quality releases. Fortunately for those anticipating their senior album Dear Desolation, there is no disappointment to worry about. With this album, the band have dug their heels deeper into the dirt of what they do best and risen to the occasion by not only meeting the standards of previous albums but also setting new ones.
Until this review, the name In the Presence of Wolves was unfamiliar. Now, during the course of this review, it is hard to imagine a band this good not being known by a wider audience for the fantastic music they produce. The Philadelphia, PA based group plays progressive metal that sound like a cross between a livelier, more energetic version of the modern-prog Between the Buried and Me, Coheed and Cambria and progressive metal/rock up and comers (as well as blog favorites) Thank You Scientist. If any of these bands tickle your fancy, you owe it to yourself to check out In the presence of Wolves. If that’s not enough to convince you, perhaps a breakdown of this concept EP’s tracks will lead you be a tad more curious.
With the return of Twin Peaks only hours away, I figure it’s the perfect time to go back and give attention to…