There’s an undeniable joy in watching something that has been preparing to pounce for so long finally take the leap. Where there was once stillness in the air, there is now a sense of urgency and the feeling of excitement. We as listeners should be thankful that we are not the ones on the receiving end of this violent lunge. The hunter in this case is singer-songwriter Chelsea Wolfe, while the prey is the art she presents to the world. With her newest work, Hiss Spun, we not only see Chelsea in the moment of her victorious pounce, but we also have the great fortune of consuming her kill.
These posts are written by: Ryan Castrati
There’s a great deal of irony in the latest album title of instrumental post-metal trio Sannhet. While their new album is called So Numb, it would seem that this is the most evocative song writing we’ve seen from the group to date. The emotions that this album can rouse from slumber deep within the listener are not just your simple “ooh’s” and “ahh’s” that come along with music that catch and impress the ear, but rather ones of blinding ecstasy and immobilizing sorrow. In crafting this collection of songs, Sannhet have taken the approach of the painter. The group uses every drum hit, bass plunk and guitar strum to paint a picture with textures and colors that are just as interesting and thought out as the work they comprise the entirety of.
Do you like exclusively clean vocals? Do you like progressive rock with a bit of a groovy, even djent-y edge to it? Will you listen to anything that comes out of the San Francisco Bay Area music scene? Well then, have I got the band for you! They’re called Sea in the Sky and though they liken themselves to Periphery, CHON and Polyphia, I hear flashes of swancore bands like Dance Gavin Dance, Stolas and Hail the Sun. They’re releasing a new album on September 29th called Everything All at Once, but luckily we can listen to two singles from it right this very moment!
Only three albums into their career, the angry Aussies in Thy Art is Murder are a household name not only in deathcore, but extreme metal as a whole. The fourth album can be a tough place to be in for an established band, especially if your sophomore and junior releases are as good as Hate and Holy War. Though well-established and on the path to even more exposure and success, the band are still not immune to the possibility of dropping something that may not completely meet the expectations of their fans all over the globe and tainting their reputation of quality releases. Fortunately for those anticipating their senior album Dear Desolation, there is no disappointment to worry about. With this album, the band have dug their heels deeper into the dirt of what they do best and risen to the occasion by not only meeting the standards of previous albums but also setting new ones.
Until this review, the name In the Presence of Wolves was unfamiliar. Now, during the course of this review, it is hard to imagine a band this good not being known by a wider audience for the fantastic music they produce. The Philadelphia, PA based group plays progressive metal that sound like a cross between a livelier, more energetic version of the modern-prog Between the Buried and Me, Coheed and Cambria and progressive metal/rock up and comers (as well as blog favorites) Thank You Scientist. If any of these bands tickle your fancy, you owe it to yourself to check out In the presence of Wolves. If that’s not enough to convince you, perhaps a breakdown of this concept EP’s tracks will lead you be a tad more curious.
With the return of Twin Peaks only hours away, I figure it’s the perfect time to go back and give attention to…
There are plenty of death metal, post metal and black metal bands that use the art of the aural assault to their advantage. It is not a new concept to just charge full speed ahead with little to no breaks along the way in order to convey an air of ferocity or ever-swirling evil. However it can sometimes fatigue the listener when all you have is this constant wall of sound blaring non-stop. Ulsect have a deft understanding of this on their debut, self-titled album. While quite a bit of the album is an endless barrage of sound, it uses select times to allow you to stop and take in the finer details before pulling you back under to struggle.
The artwork for the new Regurgitate Life record Obliteration of the Self may have drawn me in, but the music is what got me to pre-order. It’s bludgeoning death metal with the added bonus of being performed with the energy and exuberance of a hardcore punk record. Sometimes death metal records can feel so dull despite being technically impressive, but luckily Obliteration of the Self doesn’t fall into that trap. It helps that they incorporate elements of other genres, such as sludge and doom, to keep things from getting stale.
It could be said that three albums and one EP into their career, Fit for an Autopsy are one of the…
When analyzing art, it is important to keep both the artist’s experience in creating the art and the experience of the consumer absorbing the art in mind. Often times, an artist’s vision can be obscured by our view point and we can lose sight of what was meant to be gained from the experience. On the other side, regardless of what an artist’s intent may be, the consumer has every right to like or dislike something based on their own personal preference. There’s even the possibility that you can completely understand where the creator of art is coming from and appreciate their intent and artistic integrity, but think that the art itself isn’t something remotely enjoyable. In this middle ground of understanding and distaste for what is understood, we find the new self-titled Suicide Silence album nestled quite comfortably.