Dysrhythmia – Terminal Threshold

The best part about bands with a completely unique identity is the way they not only differentiate themselves from other groups, but from their own sound with each subsequent release. This trait applies directly to Dysrhythmia and the vast field of other projects involving Kevin Hufnagel (Gorguts, Vaura) and Colin…

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Xoth – Interdimensional Invocations

As a band, Xoth represent a specific challenge to review: it feels impossible to concoct the right combination of words that both accurately describes the band and makes them sound as appealing as I’d like. Metal runs into this problem more often than other genres, I think. As sounds become…

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Hey! Listen to Freighter!

Many bands would like to claim to be wild. There’s something inherently attractive about savageness, especially in metal. But very few bands actually feel unleashed, regardless of the states of mind that might have possessed the members as they were writing/recording the music. Wildness is more than just being experimental…

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Pound – ••

As a music critic, I’ve always strived to go beyond curation by attempting to contextualize the artists and albums I review. Of course, finding and recommending noteworthy new music is still an important part of the job, especially in today’s saturated music market. But the opportunity for deeper analysis has…

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To Prequel or Not? Cynic Provides the Missing Link and has their Revenge of the Sith Moment

Cynic is a legendary and influential band. Since news that drummer and founding member Sean Reinert has left the band, many fans have wondered what is on the horizon, if anything. While there’s still no word on new music from co-founder and guitarist/vocalist Paul Masvidal (who vowed to continue the band), late last year, an announcement from the realm of music archaeologists got nerd minds spinning. Uroboric Forms: The Complete Demo Collection would be released and fans would maybe get some answers about how the hell Cynic went from being in Death (which was basically a Chuck Schuldiner backing gig) to dropping an absolutely groundbreaking gem in Focus. Southern Florida in the late 80s and early 90s is hallowed ground in extreme metal. Would Uroboric Forms rewrite the narrative?

The Room Colored Charlatan – The Veil That Conceals

It’s time for another review that throws everyone’s favorite trigger word around with reckless abandon. A word with so many meanings that using it is akin to farting during a job interview or calling your significant other the wrong name. Progressive. Yes, The Room Colored Charlatan are a progressive deathcore band. Or are they? Over the course of the last few years and releases, the band have pushed square riffs into isometric structures – somehow coming away with something pretty cool each time. The Veil That Conceals is the next part of this band’s journey and it definitely goes somewhere. It’s just unclear what the scheduled destination was/is.