Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.
Welcome to Death’s Door! Wipe your feet on the mat. Don’t want any oil getting on the floor. Yes, you heard me correctly. Oil. OIL. Everywhere. I remember a time when Hell was just covered in blood, now we’ve got these god-forsaken machines running around everywhere. Oh, but they don’t have SOULS they said. Tell that to my hellhound. All dogs do indeed go somewhere, and it isn’t always to the pearly gates. Anyhoo, technical death metal is king of the castle in 2017, and there isn’t much we can do about it. Sentient robots, alien lifeforms, and all that jazz. What a year it’s been, and frankly the amount of amazing music still to be heard troubles me. I don’t have time for this. I have shit to do. But here we are, discussing another ferocious month of death metal insanity. Grab a bone chair and make yourself a Bloody Mary (she won’t mind), there’s some good stuff to cover.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
A bunch of news and content! I’m just going to list it. Kiss’s Gene Simmons talking about his $2000 box set, Super Deluxe roasting Taylor Swift via Limp Bizkit, Machines of Man, Machine Head, Linkin Park’s tribute show to Chester (and our picks for vocalist), Sutrah, the Sacred Son artwork controversy, and the new Winds of Plague single. Also how ridiculous this Friday’s releases have been. Then we do a deep segment on producer Jens Bogren, including his work on Ihsahn, Leprous, Vildhjarta, Fleshgod Apocalypse, Devin Townsend, VOLA and more. Finally, cool people time. The cool horror/sci-fi game Echo, Kingsman: The Gold Circle, mother!, Hannu Rajaniemi’s The Causal Angel, Sunless Skies and more. Enjoy!