Mirror – Pyramid of Terror

Sometime way back in 2015, Mirror released their self-titled debut long player on Metal Blade Records. Despite being put out by one of the biggest and most consistent and reputable labels in the biz, it flew under the radar. Featuring former Electric Wizard and Satan’s Wrath bassist Tas Danazoglou and…

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Hey! Listen to Ravensire!

Oh boy, it’s been a while since I recommended some in your face, no holds barred heavy metal to you lot. But here we are today, breaking this unfortunate drought with Ravensire, a band so unapologetically “about the riff” and everything heavy metal that they called their album A Stone…

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Haunt – Burst Into Flame

It’s no secret that I love the traditional heavy metal revival. However, it’s also no secret that it’s becoming hard to find something worthwhile coming out of that impetus; the claws of repetition and carbon copies have already sunk deep into this nascent, returning sub-genre. The main problem I have…

Visigoth – Conqueror’s Oath

On the surface, there’s not much to say about Visigoth other than “yeah, they’re pretty good.” Formed in 2010, they’re one of the bands at the forefront of the New Wave of Traditional Metal movement (more on that from Eden and myself in a couple days), fitting comfortably into the classics-reviving zeitgeist…

White Wizzard – Infernal Overdrive

I’m in the process of writing an article on the difficulties of being a power metal/heavy metal listener, specifically dealing with its problematic themes and aesthetics. I won’t bore you with too many details (since I’d like you to read when we get around to posting it) but I thought it impossible to write this review without mentioning it. White Wizzard traffic in the kind of traditional metal revival sound that’s becoming increasingly popular, joining the ranks of Lunar Shadow, Sumerlands, Spellcaster and Visigoth, to name just a few of the bands operating in this milieu. As such, Infernal Overdrive is a treat for those in love with the sounds and sensibilities of oldschool, melodic metal; combining the genres of heavy metal and power metal, the album is a veritable rollercoaster of solos, emphatic vocal passages and rumbling bass.

Portrait – Burn the World

While death and black metal are seeing amazing leaps forward in talent, production, and ability for the denizens of the traditional metal world what we’re seeing from bands such as Enforcer, dawnbringer, Sumerlands, Eternal Champion, and Striker must seem like manna from heaven… or hell, depending upon your preference. One band that has been plugging away at this style, beginning as a bit of a Mercyful Fate worship act and evolving with each new release is Sweden’s Portrait (the band name derives from Diamond’s first solo album, Fatal Portrait). On their latest offering, Burn the World, we see a band who is getting comfortable with their own take on the venerable speed riffs, blazing solos, and soaring vocals of trad metal creating an addictive blend for fans.