Arctos – Beyond the Grasp of Mortal Hands

Other than the blackest, darkest depths of winter, I find that summer’s zenith is when I listen to black metal the most. The genre’s obsession with every manner of the frigid, frostbitten, grim pastoralia one associates with the long Scandinavian cold season is practically a simulation of stepping into a…

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Kvlt Kolvmn – September 2018

September was a damn good month for all things frostbitten and evil. Showcasing the genre’s insane breadth of style and influence more than in any month in recent memory, black metal showed up in a big way as the multi-faceted beast we’ve always known it was. The releases featured here are in majority some of our favorite of the year, and we hope you will share that sentiment. So feast your eyes and ears on the ridiculous bounty that was the month in black metal.

Hoth – Astral Necromancy

Concept albums are such a hard thing to follow up. An artist spends so much time developing a universe and playing on themes that it’s often hard to come back from especially if the artist is not known for that kind of songwriting or storytelling. Luckily, that isn’t a problem…

Grafvitnir – Keys to the Mysteries Beyond

Grafvitnir exists at the limits of extremity and melody. If one were to plot a simple chart to describe metal, with “Melody” as the X axis, and “Extremity” as the Y, Grafvitnir would be the little dot in the top right corner, with full marks in each category. Yet Grafvitnir doesn’t balance their thirst for convulsing blast beats and throat-shredding vocals and lightning tremolo with their desire for sweet, sweet melodies so much as the two sides battle, warring opposites ripping and clawing and dancing, circling their way around one another, imprisoned in brutal stalemate for the duration of Keys to the Mysteries Beyond. The end result is something that sounds like Storm of the Light’s Bane-era Dissection on amphetamines — and if that sentence sounds appealing, you’d better get listening, bucko.

Der Weg einer Freiheit – Finisterre

Germany is a stunning country. From the odd, historically juxtaposed vistas of Berlin, to the mist-covered streets of Hamburg, or the lush solitude of Burgstadt, it is a beautiful tapestry of rich and horrifying history, amazing beer, and incredible architecture. With such a fantastic backdrop it is somewhat surprising, unfortunately, that Germany is not particularly known for its homegrown metal scene. While the country is not without its fair share of well-known bands of the heavy variety (Kreator, Rammstein, Caliban, and The Ruins of Beverast to name a few), the nation’s black metal scene has never been an especially notable one. Der Weg einer Freiheit (DWEF from here on out) set out to change that with their own distinct flavor of post-/atmoblack, flying surprisingly mostly under the radar as their first few records received marginal amounts of buzz. However, in 2014 their third full-length album, Stellar, made waves in the scene with an absolutely stunning assault of black metal ambition that landed them on many a metal year-end list (including that of yours truly). It was a panoramic, emotionally invigorating record that catapulted the band’s already solid reputation into the stratosphere. With the release of their fourth record¸ this year’s Finisterre, the band are posed with the challenge of following up their best record with something equally impactful. On every count, they have succeeded. If you have been sleeping on this band, awake. We are witnessing the rise of a group that is sure to become the bedrock of German metal for years to come.