Jørgen Munkeby of SHINING’s Guide To Playing Sax In Metal

When I wrote my article on incorporating sax into metal a few weeks ago, I was not subtle in my praise for the man and the machine known as Jørgen Munkeby. As the individual behind Shining and the player responsible for so many of modern metal's great sax solos, it would be near impossible to get far in discussing the instrument's use in the format without landing squarely on him. So I was just a little bit more than flattered when Jørgen shared the post himself and praised it. I figured that would be the end of it, but I was wrong in the best possible way, because Jørgen took this whole thing one step further and contacted us out of the blue with a list of seven excellent tips he feels are crucial to any aspiring sax player who wants to doot some brutal-sounding shit.

Standing In Solidarity Against Bigotry

I know it’s not always easy to stand up and say something. It’s awkward. It could get you ostracized—or worse. But you have a choice. Those who are on the receiving end of bigotry don’t have the luxury to make this choice. You do. The more people let bigotry slide, the more it gains ground. No one feels like they can stop it by themselves. That’s just it—they can’t. As a group, however, by standing in solidarity, we can slow its tide, one voice at a time. It truly makes a difference and it’s the only way we can eventually make metal as open to anyone who wants to be part of our family.

Hey! Listen To Resurrecting Id!

Resurrecting Id is the brainchild of Chris Herald, a talented sax player/composer and fellow metal nerd. The premise of Resurrecting Id appears to be answering the question of, "Hey, what would happen if there was progressive, djenty metal with sax playing the usual guitar lead and guitar playing support?" He answered that question in the form a self-titled 5-song EP last year, and I gotta say, it's definitely worth the time of anyone who read my article last week, as well as any fans of interesting, technically-demanding jazzy prog metal.
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Shining – One One One

As you can probably tell, we really enjoy our avant-garde. We dedicated a whole week to it, and many of the writers here, this one included, have countless favorites. One of the bands that many of us really enjoy, however, is Norwegian blackjazz avant-garde specialists Shining. Their last album, 2010’s Blackjazz, completely blew us away, and their live DVD that followed was every bit as good. However, it’s been nearly three years since the band have put out a new studio record, and the question remained: how could they possibly top such a phenomenal record?