Ground Patrol – Geophone

Since I passed my 5-year mark with Heavy Blog late last year, I’ve been reflecting on my own philosophies on and experiences with music. Formally reviewing music has been a significant hobby of mine for at least a decade across multiple channels. With this being my third review of a…

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Bohren & der Club of Gore – Patchouli Blue

Depending on how it’s executed, music (and instrumental music in particular) has the potential to be the most transportive mode of expression. Other mediums like film, literature, and art obviously have the ability to present rich, detailed worlds beyond our own. But music can offer a blank, endless canvas for…

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Feast of the Epiphany – Practicing Loss

Feast of the Epiphany is a unique project. The brainchild of composer Nick Podgurski – along with collaborators Andrew Smiley and Caley Monahon-Ward – the group merges the seemingly incompatible worlds of drone, folk, psych, prog, and ambient synth (among other things) into a curious, avant-garde blend. As if that…

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Jazz Club Quarterly // April – June 2019

Welcome back to another installment of Jazz Quarterly! As you may have already noticed from a quick scroll, we have an eclectic list of albums touching nearly every corner of the jazz spectrum. Let’s dive in, shall we? Australian Jazz Roundup I know, I know – a roundup blurb within…

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Alarmist – Sequesterer

By now, you’ve probably seen us rant and rave about the new wave of “post-math rock”; more specifically, the trend of bands blending the traditional bouncy melodies of math rock with post-rock structures, jazz-influenced technicality, and generally progressive and experimental ideas. As I’ve outlined before, Art As Catharsis and Small…

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Hey! Listen to Hanormale!

Most of the time when we ask you to listen to something it’s because we think it’s good, that it deserves more listens, and that you might enjoy it. Today I’m not sure if this is good or if you’re going to like it, but it’s certainly different and probably…

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The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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