Last week we spoke with Brendan Brown of Infinite Density, Ne Obliviscaris and Vipassi fame, and today we’re joined by another very special guest. His bandmate in two of those projects, the inimitable Ben Boyle, contributed vocals to Infinite Density’s debut 2016 release Recollapse of the Universe, and guitars and composition on Vipassi’s debut EP Śūnyatā. As well as those two projects, Ben is the mastermind behind the experimental grind band A Million Dead Birds Laughing (got to be the best band name ever, am I right?), and is perhaps best known for his role as a guitarist and songwriter in the death metal band Hadal Maw. Every single one of these projects is creating art of the highest quality, and they absolutely deserve all of your time.
Today we’re lucky enough to be joined by the mastermind behind technical death metal band Infinite Density, Brendan Brown, also of Ne Obliviscaris and Vipassi fame. This year marked the release of Infinite Density’s debut album, Recollapse of the Universe, and it’s one of the best releases we’ve heard all year. Bearing strong thematic and musical similarities with bands such as Wormed and Inanimate Existence, the album showcases a varied vocal approach, massive grooves, ear worm melodies and a few nice surprises along the way too. It’s definitely going to sit pretty high on this writer’s end of year list, and we’re super excited that Brendan has made himself available to talk us through the album itself, how it came about, the Australian scene, and maybe even a word or two on his other projects.
Another month, another Ne Obliviscaris side project. Just a few short months after Vipassi released their amazing debut EP Śūnyatā, multi-instrumentalist Brendan Brown, best known as the bass player in the aforementioned bands, has put the finishing touches on the debut LP of his solo project Infinite Density. A staggering nine years in the making, this album saw Brown compose and track each instrument. As mentioned in his initial album announcement, one reason for the length of time taken in releasing this record is because Brown has spent much of that time honing his guitar skills to a level where he could actually play the songs he had written. That moment is finally upon us as he enlists Ben Boyle (Hadal Maw, A Million Dead Birds Laughing, Vipassi) on vocals to release a technical death metal album in the vein of acclaimed acts such as Wormed and Inanimate Existence.
I actually enjoyed the “don’t really bother to put stuff in the description” format as it makes my life easier, but hey, I guess I can make an effort once a week. Just kidding, we have new music or related stuff from: Oddland, Orphaned Land, Mephistopheles, Jimmy Pitts and Equipoise, Imperium Dekadenz, Drudkh, Inquisition, Periphery, Gojira, Hadal Maw, Iron Maiden, Exotype, Ayreon. We talk about the split between Obscura and Tom Geldschlager getting heated (check out his new song by the way!), this interesting article on language in metal, Insomnium cancelling their show in Turkey, and the recent trend of sexual assaults at festivals. Then we do the long-awaited Balls Deep on In Flames, hence the episode title (it refers to the band, not us)!
Last week we launched the inaugural Connecting the Dots feature, where we looked at Caligula’s Horse and other bands that have shared members with it. Those with a good memory will know that one of the projects we looked at was Arcane, and in particular 2015’s opus Known/Learned. A little known fact is that the session bassist on Known was none other than Brendan Brown of Ne Obliviscaris, and thus it is with NeO that our second edition will be focused upon.
Here, in the crucible of these bands and albums, a new genre is being formed, one that is emotionally stimulating and resolutely metal, equal parts intelligent and brutal, shaped by a constant musical dialogue between the simple and complex. Post-tech death is a treat for any fans of tech death and anybody who likes the concept, but wishes it wasn’t so sterile at times. Taking the best parts of the genre and twisting them to create original, engaging music, it’s a genre that is forward-focused and evolving, unique and fulfilling. And best of all, it’s just getting started.
There doesn’t seem to be anything quite like it out there, with its main drawback being that, at just over 30 minutes in length, there simply isn’t enough of it. Still, we must remember that this isn’t a full-length and that, in comparison to other EPs, its runtime is still quite healthy. Given that their other projects are in the middle of writing/touring/recording, this might be all we get from Vipassi for some time. Be sure to savour every moment of it.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…
There seems to be no shortage of 8-string techdeath from the past two years. From the over-the-top noodling of Archspire, to the more atmospherically-oriented Beyond Creation, to our very own beloved NYN, there’s always more technical death metal coming from the extended-range camp. Enter Hadal Maw: an Australian counterpart to…
Australia! It’s been a long time since I’ve professed my undying love of the scene that slowly grew in the land down under. Now I get the chance to hail two of my favorite projects from there, albeit in less than perfect circumstances. Death metal specialists Hadal Maw announced last night that…