The Plague Within (2015) signaled the beginning of a new era for Paradise Lost. Coming off a four-album streak that explored the more melodic side of their Gothic metal tapestry, and a four-album exploration of ’80s new wave before that, The Plague Within saw the Halifax pentaverate delving back into…
Somewhere around the end of the noughties and the beginning of whatever the hell we’re going to call this decade retrospectively, something remarkable happened in the UK metal scene. Inspired by the likes of Meshuggah and Sikth, a whole army of fresh and exciting progressive metal bands were practically falling out…
The Denver trio Palehorse/Palerider embody the core aesthetics of doomgaze, meticulously crafting sweeping soundscapes ripe with mysticism and guttural power. Layering Brandon Richier’s shimmering guitar work and ethereal vocals over the muscular low end provided by bassist David Atkinson and drummer Nate Marcy, they possess the ability to transport listeners…
Of all the musical periods that have risen back into prominence, the ’80s have arguably enjoyed the most success back in the spotlight. Sure, we’re also seeing an influx of influence from ’60s/’70s singer-songwriters in modern folk, pop and rock, as well as some echoes of grunge resurfacing from the…
I walked into Moe’s Original BBQ just before 6. The show didn’t start until 8, but bands were scattered throughout the restaurant and music venue, checking the soundboard during mic checks and setting up merch tables. I had arranged a 6 PM interview with Conjurer through their PR guy but…
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…
One of the greatest traits of the underground music community is its deeply collaborative nature. A journey into one artist’s discography will often illuminate connections to other like-minded artists, which initiates the insatiable quest to devour yet another intriguing discography. Such is the case with Stern, which likely attracted attention due to its…
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…
It is folly to try to judge a piece of art independently of the circumstances surrounding its conception. A lack of awareness of those circumstances is excusable, of course, but when it comes to The Faceless, that seems quite unlikely to be the case. The Californian technical/progressive death metal band, which is probably better described as Michael Keene’s project, have been through some troubles. They made one of the most important albums of the genre in 2008 with Planetary Duality, and ever since then listeners have been looking for them to make an album that’s equally impactful. 2012’s Autotheism, regardless of its quality, wasn’t what most people wanted in that sense. After yet another 4+ year gap, and many line-up changes, tour cancellations and other drama, the band, well, Michael Keene is back with his fourth album, In Becoming A Ghost. It’s his most somber and personal album for sure, but is it a good album? Partially.
