The UK is built for boring weather; the kind of weather where it's not really nasty enough to warrant staying inside, but not really nice enough to make it worth going out, either. Basically, weather we can gru... Read More...
Progressive death metal outfit Entheos have had a productive three years, to say the least. 2015 saw their formation, shortly followed by the release of their debut EP Primal. 2016 saw the departure of founding guitarist Frank Costa and the introduction of their new guitarist, Malcolm Pugh. Frank had already recorded all of the rhythm guitars for the bands first full length album, so Malcolm came in and knocked out the lead guitars so that The Infinite Nothing could be unleashed upon the world. Only two months after the album's release, the band announced the departure of Malcolm Pugh and in the same breath announced that former Scale the Summit guitarist Travis LeVrier would be taking his place in the band permanently. Now, in the latter half of 2017 we have received their second album, Dark Future, recorded in the early part of this year.
It's easy to see why Winds of Plague are the butt of jokes in "internet metal circles". As they rose to popularity during the most oversaturated era of deathcore, their imagery and lyrical content was mostly emblematic of all the tropes of the genre. Their most recognizable songs were aggressively simplistic thematically and musically. This reception is almost a shame, because Winds of Plague have always had a brilliant band hidden somewhere in that well of unrealized potential. The entirety of The Great Stone War, which was a progressive deathcore showcase, and tracks like "Angels of Debauchery" from their debut showcased the band's more creative and clever aspects, but it's also undeniable that the band brought this upon themselves with tracks like "Reloaded". Regardless, there's been a small contingent of fans wishing for a return to the more nuanced and epic sound that they often hinted at. After 4 years and a nearly-entirely-new lineup, the band returns with Blood of My Enemy, which doesn't fully satisfy that craving, but is a massive step in the right direction for the band.
We're at a point where a hot shit, flavour of the month band can become old hat moments after they are touted as the next big thing. It's so easy to lose track of who's who, what's hot and not and generally what the hell is happening in music and it's always gonna be impossible to hear everything good out there. That's where Heavy Blog, and others like us, come in. We have our core features focusing on specific genres—what's up Grind My Gears fans?!—but today I'm lumping together bands who's only similarity is their shared suffix. They're all "core" in some form or another. To make things more digestible, I've even added a strapline for each, covering their sound in one fantastically humorous sentence. Please, enjoy and rock responsibly.